Here we’ve rounded up the best cameras for astrophotography that we believe will help you capture stunning astro images. You can also see the best prices for each camera from reputable retailers.
The bonus of having one of the best cameras for astrophotography is that they are typically versatile cameras that perform exceptionally for daytime shooting too. This negates the need to spend on additional equipment, something we all want to avoid with the ongoing rise in the cost of living.
Still, it’s important to remember, it’s not all about the camera. Lenses are just as (if not more) important. That’s why we’ve laid out the best lenses for astrophotography too. We’ve also put together a guide for the best camera accessories for astrophotography and the best light pollution filters for astrophotography, especially important if you’re shooting in an area prone to skyglow.
DSLRs and mirrorless cameras have long been known for their night sky shooting prowess. Low image noise, high ISO capabilities, and flexibility for regular daytime shooting make them ideal devices for many users. However, there are also astro-specific cameras that traditional photographers often overlook. These specialized devices mount to telescopes for incredibly clear astrophotographs that can easily surpass DSLR or mirrorless cameras, although they are unsuitable for conventional photography.
Astrophotographers must be mindful of the noise-handling abilities of each system, as this is an issue often encountered by night and low-light photographers. Also, be sure to assess the camera’s capacity to block out infrared light since this is necessary to capture cosmic objects. If necessary, the infrared filter can be removed by a professional after purchase. Factors like size and weight should also be taken into account, as they are essential for portability and durability when you are out searching for the perfect dark sky.
Despite the common misconception, expensive doesn’t necessarily mean best (for your purpose). Some cameras cost far less but give superior astro image quality than even the most expensive models. There does always tend to be a trade-off. That might be shooting flexibility or lens mount versatility. Of course, you won’t be able to capture the stars without a sturdy tripod, so check out our guide to the best tripods for astrophotography to prepare yourself with the best possible setup. We’ve also rounded up some of the best headlamps for stargazing and the best power banks for astronomy too, both things that will make your night of skywatching and astrophotography more enjoyable.
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The best cameras for astrophotography in 2023
The Nikon D850 DSLR was released way back in 2017 but still keeps up with the younger models in many photography disciplines, including astro. The 45.7-megapixel image sensor on the D850 produces ultra-detailed stills photos while keeping image noise to a minimum. It even can shoot 4K UHD 30 frames per second video for those who want to make movies of the night sky.
Partly because of its age, It is considerably heavier, bigger and bulkier than astro-specific cameras and mirrorless competition. Still, thanks to its rugged construction and excellent weather sealing, it will last for many years, no matter what environment you choose to shoot in.
Like all DSLRs, it has an optical viewfinder, making it a little more challenging to compose and focus for night sky imaging, but the rear tilting touchscreen remedies this problem. It has two card slots for SD and XQD/CF Express cards to ensure it can record all that incredible detail at speed and for added peace of mind.
As seen on the flagship Nikon D5 (opens in new tab), the D850 utilizes full button illumination, making it simple to operate in the dark without needing a headlamp that may damage your night vision. This was one of the features we enjoyed most during our Nikon D850 review alongside its expandable ISO sensitivity range of 102400 — it practically sees in the dark. Although a very high ISO will drastically reduce image quality (because of increased noise), it can be useful just to help you compose your shot if nothing else.
The Sony A7R IVA (opens in new tab) is ultimately the same as the Sony A7R but with a few minor upgrades. You can see from our Sony A7R review that we think it is an incredible camera that is hard to beat performance and image quality-wise, although it is expensive.
This camera is perfect for astrophotography due to its ability to capture incredible detail in both dark and bright areas. You can use images from the camera at ISO 6400 without any visible noise, however noise will become apparent at higher levels, as to be expected.
The buttons and autofocus joystick are more tactile than previous Sony models, which is excellent news for photographers who shoot at night while wearing gloves.
The 61-megapixel images are enormous, meaning you will have huge file sizes; you need a computer and storage that can keep up with processing and storing this file size. That said, for faster image processing, you can switch to turn the A7R IVA into a 26MP APSC camera with a 1.5x crop factor at the click of a button.
The screen isn’t fully articulating, but it does tilt, so you should still be able to take amazing astro shots comfortably. The battery performance is excellent, so you will have no problem having all the power you need for a lengthy astro shooting session.
The A6600 is a camera to consider if you want something as good as a full frame with just as many pixels.
Astrophotographers will love that you can ramp the ISO right up before seeing unwanted noise in your photos, which is crucial when photographing anything in low light situations, especially in astrophotography.
Though lightweight, as mentioned in our Sony A6600 review, this model boasts excellent build quality and feels robust and rugged, more so than Sony’s previous models.
The buttons on the back of the camera are nicely pronounced, making them easier to find in the dark and press while wearing gloves.
While the sensor in this camera is the same as its predecessor (the Sony A6500 (opens in new tab)), it is powered by the high-performance Z-battery, over twice the capacity of the previous FW50 battery, allowing for plenty more those long exposures before needing a spare.
The screen is tilting rather than fully articulated, but this shouldn’t deter astrophotographers who shoot up at the sky.
Aside from the astro-friendly features, it’s worth mentioning that Sony’s real-time tracking is fast and highly accurate, making it a good option for sports and action photography too.
While the Fujifilm X-T5’s predecessor, the Fujifilm X-T4 is still an excellent option for astrophotography enthusiasts, the XT-5 has several improvements for not that much more money.
The classic look of the camera makes it stylish, but the body-mounted dial controls make it easier to use in the dark, once you are used to which dial does what, which, as we found in our Fujifilm X-T5 review will take a bit of practice. The 40.21MP CMOS sensor gives even better image quality than the 26.1MP predecessor and the processing engine is double the speed of the XT-4.
The Fuji X-T5 uses the NP-W235 battery with a CIPA rating of around 600 shots per charge in everyday performance mode and about 740 shots in economy mode. We found the battery life noticeably impressive when we conducted our full review. When shooting the night sky, the long exposures needed sap the battery more, so expect slightly fewer.
There are two SD memory card slots, and you can shoot JPGs and RAW files simultaneously, or you can use one of them as a backup in case the unthinkable happens to your primary storage.
This camera is also a versatile option for photographers who regularly dabble in other photography styles alongside astro. It has a generous seven stops of in-body image stabilization, excellent low-light performance, and a high-speed processing engine. That makes it ideal for action or sports photography. It is also a top choice when it comes to timelapse photography. Check out our best cameras for timelapse videos for alternative options for this capture style.
The Sony A7 III is a favorite among astrophotographers that like to shoot mirrorless and is one of the brightest stars of the astro camera world (pardon the pun). Though its electronic viewfinder isn’t as detailed as others we’ve listed, it still provides a beneficial exposure-ramped view to aid with composing astrophotographs. Low light autofocus detection, while not as sophisticated as some in this list, still performs well by working in -3 EV. In our Sony A7 III review, we were particularly impressed with the high dynamic range, allowing you to recover fantastic detail from the shadows.
Even when ramped up to a massive ISO 51200, this camera handles image noise well and produces excellent image results. For those not too worried about movie shooting (though it can capture 4K UHD at 30FPS), ISO can jump higher, expanding to an insane 204800 for stills photography.
This camera is CIPA-rated, well above average for a mirrorless of this type, and can shoot 710 still shots via the rear LCD monitor. It is a touch more expensive than others in its class, but if you’re after a natural low-light performer that is also versatile enough to excel in other photography styles, the A7 III might be the one for you.
Since you’ll also find the Nikon Z6 in this guide, it makes sense to talk about its successor, the Nikon Z6 II. As we discussed in our hands-on Nikon Z6 II review, there aren’t enough upgrades to warrant upgrading from one model to the other, and it’s not worth the extra cost if you’re only going to be shooting astro with it.
That said, suppose you’re upgrading from a beginner model, capturing video, and shooting other photography styles alongside astro. In that case, the Z6 II is worth considering if you can spare the extra dollars, as it the update makes it a little more refined.
Take note of everything the Z6 has, but add a second memory card slot for extra storage and peace of mind, a faster burst rate and autofocus, quicker image processing, and 60FPS at 4K video shooting.
Astrophotographers will love the better range of shutter speeds, allowing more control over those long exposure shots. The shutter speed limit is now 900 seconds (15 minutes).
Though superseded a while back by the superior Nikon Z6 II, the Z6 (one-half of the first two mirrorless cameras Nikon ever produced), is still one heck of a camera and excels in low light. For our money, we think the Z6 is better for astrophotographers than its big brother, the Z7, due to the lower resolution. A lower resolution on the same full-frame image sensor means less image noise detracting from the final shot. Whats more, the Z6 is also much cheaper than the Z7.
The Electronic Viewfinder has excellent detail, with a million more dots than the aforementioned Sony A7 III, and gives a realistic, clear image. Though the Z-mount lens range is expanding, but it’s still not as established as other models in this guide. Saying this, with an FTZ adapter, you can use any of Nikon’s F-mount lenses from the past several decades, so this isn’t a problem.
Our Nikon Z6 review found that shooting even up as high as ISO 12,800 adds very little noise or softness to the image, making it perfect for low-light situations like astro and night-time photography. This is especially true if you’re trying to pick out unlit objects or scenery to give the night sky some context. The image quality only degrades a little on the maximum and expanded settings.
The Canon EOS 6D Mk 2 is an affordable DSLR for those wanting to dip their toes into astrophotography without breaking the bank. It does lack some modern features, but this is a brilliant full-frame option for its price point.
Its handy vari-angle touchscreen display makes it simple to compose the scene even if the camera is pointing skyward. For astro-shooters that like a moving image, the EOS 6D Mk 2 can shoot 4K time-lapses (in timelapse mode), making it perfect for detailed videos of the night sky, especially when paired with a slider or a star tracker. We found in our Canon EOS 6D Mk 2 review that it’s best to avoid this model if you’re planning on shooting fast action in low light, but that’s not a problem for astrophotography.
While it only captures regular video footage at full-HD 1080p, it records this at 60FPS for smooth results. Its dynamic range also leaves something to be desired, but if combined with plenty of calibration frames, this shouldn’t make much difference after image processing.
A single SD card slot might have nervous shooters biting their nails during longer sessions, but with 102400 expandable ISO and 26.2MP stills capture, you can relax knowing results will be clear and crisp every time.
This is a compact full-color camera with its own onboard cooling system to minimize noise whilst shooting long exposures. It is one of the best-dedicated astrophotography cameras out there, the ZWO Optical ASI183MC Pro is the color version of the ZWO Optical ASI183.
In our ZWO Optical ASI183MC Pro review, we found it to represent a great choice for astrophotographers looking for a dedicated astro-imaging camera. You won’t need to bring a stack of RGB filters when heading out to shoot. It’s also much smaller and lighter than other astro cams. Still, at 1.6e read noise, it’s a serious camera.
It’s one of the more efficient camera models for astrophotography and provides a whopping 84% Quantum Efficiency peak. For a dedicated astro camera, it also has a high pixel count, at approximately 20.48MP.
It shoots an all-out frame rate of 19FPS at full resolution, which makes the ZWO Optical ASI183MC ideal for solar or lunar imaging. However, if users drop the resolution down, there’s the potential to shoot hundreds of frames a second if wanted! One downside, as with all dedicated astro cams, is that you’ll need to plug it into a computer with dedicated software to run it. A fast USB 3.0 port means a healthy data transfer for the higher frame rate captures.
The ZWO Optical ASI 533 Pro’s most attractive feature is likely that it has zero amp glow. Although you can typically remove this in editing software, this additional processing time can stack up and reduce productivity, especially when considering that you could opt for an astro camera like this and avoid it altogether. By removing the need for extra processing, you’re also keeping a cleaner, more efficient resulting image.
This camera only comes in a color version, so monochromatic enthusiasts should leave their RGB filters at home. It has a good 80% Quantum Efficiency and a quick 20FPS frame rate for those needing to shoot fast. As with almost all dedicated astro cameras, the ZWO Optical ASI 533 Pro needs an external power supply to work. A 9MP square sensor might seem a little unusual to some photographers, but it has 1.0e read noise and a 14-bit ADC for good dynamic range.
In our ZWO Optical ASI 533 Pro review, we concluded that it is a great choice for those looking for a simple-to-use, dedicated astro-imaging camera at an affordable price.
Though four years old, Canon’s first-ever full-frame mirrorless RF system camera still holds its own against the more recent releases.
As we discussed in our Canon EOS R review, it’s neither the sleekest nor best-built body, so you’d have to be a little gentler with it than you would some of the more robust models — like the Nikon Z6 — and the layout of the buttons could be more intuitive. None of these would be reasons not to buy this model, but they could take some getting used to.
Body and build quality aside, the performance of the Canon EOS R is above average when shooting in low light. It performs especially when using long exposures, which is perfect for traditional astro shooting, including long exposures and time-lapse shooting (don’t forget your tripod). It also processes the shots very quickly with little noticeable buffer lag.
The screen is large and clear, with impressive touch functionality. Like a smartphone, you can drag and set the focus with your finger. The vari-angle touch screen also makes taking low-angle shots much more comfortable.
How we test the best cameras for astrophotography
To guarantee you’re getting honest, up-to-date recommendations on the best cameras to buy here at Space.com we make sure to put every camera through a rigorous review to fully test each product. Each camera is reviewed based on many aspects, from its construction and design, to how well it functions as an optical instrument and its performance in the field.
Each camera is carefully tested by either our expert staff or knowledgeable freelance contributors who know their subject areas in depth. This ensures fair reviewing is backed by personal, hands-on experience with each camera and is judged based on its price point, class and destined use. For example, comparing a 60MP full-frame mirrorless camera to a sleek little crop-sensor DSLR wouldn’t be appropriate, though each camera might be the best-performing product in its own class.
We look at how easy each camera is to operate, whether it contains the latest up-to-date imaging technology, whether the cameras can shoot high-quality stills photos and high-resolution video and also make suggestions if a particular camera would benefit from any additional kit to give you the best viewing experience possible.
With complete editorial independence, Space.com are here to ensure you get the best buying advice on cameras, whether you should purchase an instrument or not, making our buying guides and reviews reliable and transparent.
Best cameras for astrophotography: What to look for
It can be difficult to know what to look for in the best cameras for astrophotography, but there are some crucial factors to consider to help you decide. Budget is significant, with new users who want to dabble perhaps setting aside a little less than more seasoned photographers that will only settle for the very best images. However, image clarity is critical, and you’ll find that larger sensors with fewer pixels can capture astro shots with minimal image noise. By negating the effects of image noise, we’re able to process imagery more efficiently with better-detailed results.
While not particularly useful for astrophotography, autofocus may still be helpful for those who want to combine night-time shooting with near-twilight landscapes that show the brightest stars, planets, and satellites hanging above a beautiful foreground. A low EV rating on the autofocus ability is crucial for sharp shots in the dark.
Fiddling around with one of the best headlamps can be helpful, but for those with inferior headlamps, a dim-lit red light to set up your shot can be frustrating, so consider whether you need backlit illuminated buttons to help guide camera setup in the dark.
Specialist astrophotography cameras have a predisposition to heat up during long exposure shots. Suppose you’re interested in getting an astro camera that has built-in cooling to keep the performance of the image capture high; it will likely be larger and heavier and a little noisier as the fans whir while operating.
Photographers must consider lens choice when choosing a camera for astrophotography. While most major manufacturers have excellent ranges of top-quality glass, not all camera models can accept the full range of lenses due to differences in mount types. Ideally, fast lenses with wide apertures and excellent optical sharpness and clarity are what to look for when shooting astrophotography, take a look at our guide to the best lenses in astrophotography. Pair this with a camera body that handles high ISO and image noise well, and you should be ready to go.