A UH student’s passion for advocacy, music and photography for Pride Month

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The GenderCool Project: A push for diversity through UH student’s eyes

What to watch next

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UP NEXT

UP NEXT

Meet Landon Richie, a 20-year-old political science major at the University of Houston. He’s a gifted trumpet player and a 3rd-degree black belt in Tae Kwon Do. Richie also loves photography, poetry, and going to concerts.

“Just doing anything a kid would do in school with my family, with extracurriculars and stuff like that,” he said.

But for much of Richie’s childhood, he couldn’t entirely focus on the things he loves and feels passionate about.

RELATED: Pride Month 2023: What do LGBTQ and LGBTQIA+ mean?

Richie knew from a very young age that he was transgender.

“As early as I could walk, talk, and really think for myself, I knew that I was in some way different from my peers and those around me. I gravitated towards and felt most comfortable in boys’ clothing, playing with boys’ toys, and assuming the male role in games,” Richie said.

“The feelings persisted and got stronger as I got older. I was not just a tomboy like everybody assumed or how I had even assumed myself because I had no other word at the time to describe what I was feeling. It was just extreme discomfort, ” he added.

With limited resources and knowledge, he and his parents navigated a challenging journey before Richie finally felt he could live his authentic life.

“The night that I told them I am transgender, we sat down as a family and cried together. We talked about how I understood myself, how they had seen signs growing up but didn’t know what to expect. They were very clear in communicating that they love me, supported me, and wanted to help me be myself, no matter what it took. They were there for every step of the way,” Richie said.

RELATED: Texas Republicans filed dozens of bills affecting LGBTQ people: Here’s what they’d do

Richie knew not every trans youth has that supportive environment. That’s partly what led him into advocacy work, something he first became involved with when he was 12.

Currently, he serves on the board of directors for the GenderCool Project and works with the Transgender Education Network of Texas, aiming to improve gender-diverse equality in the state.

The GenderCool Project is collaborating with ABC to give more insight into the perspective of transgender youth in the world.

“I’m extremely proud of him,” Richie’s dad, Aaron, said. “I tell people Landon is very passionate about supporting other people and maintaining their well-being. He is very touched by other people’s suffering. That’s such an admirable quality for any human to have.”

“Probably one of the least interesting things about Landon is that he’s trans. He’s got so many amazing qualities as an individual that I think anyone who gets to know Landon would like him, ” Aaron said.

Richie is still determining exactly what the future holds for him. But currently, he has his eyes on a potential career as a civil rights attorney. No matter where he ends up, he knows one thing: He wants to leave the world a better place than how he found it.

RELATED: Pride Houston 2023: Here’s how to celebrate and get involved in the LGBTQ+ celebration

“It’s important to recognize that we have always been here and will continue to be here,” Richie said. “I hope to leave behind a world more kind and more accepting and more loving of trans people where it is not the outlier for us to thrive. It is the baseline, and we don’t have to explain ourselves. We can just be.”

For more on this story, follow Rosie Nguyen on Facebook, Twitter and Instagram.



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Shimoda Women’s Collection backpacks announced

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In recognition that one size does not fit all, backpack manufacturer Shimoda has launched a range of 5 backpacks specifically designed for female photographers. The new bags are supplied with Shimoda’s Women’s Tech Straps, previously available and shaped to suit women.

Shimoda Women’s Series Explore 30 v2 review

The five models comprise three sizes of Action X v2 backpacks and two sizes of Explore v2 backpack, all available in a new ‘Teal Colourway’ that is exclusive to the Women’s Collection. They are the Action X25 v2 Action X30 and Action X40 (with capacities of 25L, 30L and 40L respectively) and the Explore 25 v2 and Explore 30 v2 (with capacities of 25L and 30L respectively).

Shimoda Women’s Series Explore 30 v2 review
Shimoda Women’s Series Explore 30 v2

Like all Shimoda bags, the new Shimoda women’s collection is made from high-quality materials to survive serious use.

As well as the straps, the female-specific features include dual sternum straps, a removable, adjustable waist belt, a ladder system for adjusting the height of the strap attachment, multiple accessory mounting points and with the Action, the ability to change the capacity of the bag with the roll top.

Shimoda Women’s Series Action X25 v2 review - backpack in use in use
Shimoda Women’s Series Action X25 v2

Danny Dullforce, Product Marketing Manager, commented, “We have seen an
overwhelming response worldwide to the harness straps that were made specifically for
women. Having acknowledged that no other bag brand had a specific women’s range, we
undertook the research and feedback was so positive we decided to launch the range in
time for women to make the most of their adventures during the summer months.”

Shimoda Women’s collection price and availability

The Women’s Collection backpacks are set to retail for:
Action X25 v2 Women’s Starter Kit (w/ Small Mirrorless Core Unit) – £375.00
Action X30 v2 Women’s Starter Kit (w/ Medium Mirrorless Core Unit) – £385.00
Action X40 v2 Women’s Starter Kit (w/ Medium DSLR Core Unit) – £425.00
Explore v2 25 Women’s Starter Kit (w/ Small Mirrorless Core Unit) – £335.00
Explore v2 30 Women’s Starter Kit (w/ Medium Mirrorless Core Unit) – £369.00

The Shimoda Women’s series is available from today, 1st June 2023.

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Photographer Omi Kim Creates Stunning Double-Exposure Photographs

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Japanese photographer Omi Kim Creates stunning double-exposure photographs. He named this series as “New Past” and Omi combined the photographs taken in the past, he beautifully combined his photographs with the help of Photoshop.

You can find Omi’s more amazing work on his Instagram and more projects on his website.

You can find Omi Kim on the web:

  • Website
  • Instagram
  • Behance
  • Twitter

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Richard Avedon Once Called Fashion Photography A “Loveless, Lying Art”. Was He Right?

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But at 19, making mug shots for ID cards for months on end, the poet manqué was still unfulfilled. “I must have taken pictures of maybe 100,000 baffled faces before it ever occurred to me that I was becoming a photographer,” he would later reflect. These quotidian images were pared down to portraiture’s essentials out of necessity: heads and shoulders presented against a seamless white background with one direct source of light. Despite the work’s repetitive nature, its influence can be felt in Avedon’s distinctive later style, in his painstaking scrutiny of faces and expressions.

His portraits are intimate close-ups that reveal every blemish and nuance of physiognomy with an uncompromising, even brutal, honesty. The frontality of his composition and his very lack of “style” set him apart from the majority of his contemporaries, with the exception of his friend Diane Arbus. Between them, they discarded the conventions of the first 100-odd years of portrait photography and, by reducing it to its core, redefined what the essence of portraiture should be. Their subjects stand alone, uneasy and isolated – revealing something intimate and essential about their characters in the process.

This is as true of his first works as his final ones, composed more than half a century apart. An early photograph, from 1947, shows a smiling boy in Noto, Sicily, facing the viewer with his hands resolutely by his sides. The sparse background, barely in focus, is dominated by a tree, its mushroom-shaped branches resembling nothing so much as the aftermath of a nuclear detonation. One of his last portraits was also of a child, his godson Luke Avedon, another young man confronting the world alone. Except he isn’t smiling, and behind him there is a white out – nothing at all.

And yet if Avedon’s harshly seductive outlook was remarkably consistent from 1947 to 2003, his sources of inspiration were innumerable. His journey has its roots in theatre. In 1949, he spent several months as the associate art director of Theatre Arts Magazine. His short tenure served a purpose: focussing his mind on pursuing talents that could interpret something of the human condition through the roles they played. Buster Keaton’s desperate Vaudeville gestures dissolve easily into the existential anguish of Bert Lahr’s Estragon in Waiting for Godot. Avedon’s subsequent scrutiny of fame emphasised its bleakest manifestations: Michelangelo Antonioni is delivered to us half-paralysed from a stroke, Marilyn Monroe is at her most wounded and remote, Ezra Pound is seen in the grip of mania, while the head of Chet Baker, sunken by addiction, barely hovers in the frame at all, as if shortly to slip from view.

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CJPOTY round 6: Wildlife – Camera Jabber

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The theme for the sixth round of the 2023/24 Camera Jabber Photographer of the Year (CJPOTY) competition is ‘Wildlife’. Animals make such fascinating subjects and we’re looking forward to seeing images from your wildlife encounters, whether that’s with tiny insects in your back garden or majestic elephants from a safari. The photographs can be taken anywhere and at any time.

This round of our monthly competition is open for submissions until 23:59 BST (00:59 CET and 15:59 PST) on 30th June 2023.

To submit your entry follow the link to cjpoty or click on the CJPOTY button at the top of any of our website pages. You can submit up to three entries for £2.00 plus payment processing costs (£0.26). Images should be Jpegs at least 1920 pixels along their longest side but no larger than 2MB.

Camera Jabber Photographer of the Year prizes

At the end of the month, the Camera Jabber team will pick one winning image and nine runners-up from the June entries. The photographer of the winning image will receive a voucher from MPB.com to the value of £500 which can be spent on anything from a huge range of kit from the World’s biggest platform for used photographic gear.

All 10 of the selected images will go into our shortlist for the year.

We’ll do this each month in 2023 so that by the end of the year, there will be 120 shortlisted images. These will then go before our fantastic panel of judges who will decide the 1st, 2nd and 3rd-placed images.

The photographer of the first-placed image overall, as decided by the panel of judges, will receive a voucher to the value of £1000 from MPB.com as well as a trophy and the title ‘Camera Jabber Photographer of the Year 2024‘. The photographers who come second and third will receive vouchers worth £500 and £250 respectively.

You don’t have to enter the competition every month, but you are welcome to do so and the more shortlisted images you have at the end of the year, the greater the chance of winning the top prize.

Photographing Wildlife with the Panasonic Lumix G9: Cheetah

CJPOTY VIP Judges

At the end of the year, our illustrious panel of judges has the onerous task of selecting the first, second and third-placed images overall from the shortlist of 120. Our judges are:

Benedict Brain – Photographer, journalist & Sigma ambassador
Sophie Collins – Chief Marketing Office at MPB, Trustee of Royal Photographic Society
Donna Crous – Food photographer, author, Nikon Europe ambassador and Rotolight Master of Light
Ross Hoddinott – Landscape photographer, wildlife photographer, author, tutor, conservationist
Tracy Marshall-Grant – Arts Director, curator and producer
Denise Maxwell – Multi-genre photographer and lecturer
Carolyn Mendelsohn – Artist and portrait photographer
Paul Sanders – fine art photographer
Jemella Ukaegbu – Photographer & founder of UK Black Female Photographers (UKBFTOG)
Christina Vaughan – Founder of Cultura Creative, the home of inclusive stock photography

Follow the link to find out more about the CJPOTY judges.

MPB

About MPB

Founded by Matt Barker in 2011, MPB is the world’s largest platform for used photography and videography kit. MPB has transformed the way people buy, sell and trade equipment, making photography more accessible, affordable and sustainable.

Headquartered in the creative communities of Brighton, Brooklyn and Berlin, the MPB team includes trained camera experts and seasoned photographers and videographers who bring their passion to work every day to deliver outstanding service. Every piece of kit is inspected carefully by product specialists and comes with a six-month warranty to give customers peace of mind that buying used doesn’t mean sacrificing reliability.

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Artist Deanna Maree Paintings 100 Species Of Birds On Slices Of Wood

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Australian artist Deanna Maree creates 100 species of birds on slices of wood in hundred days. In April 2020 she challenged herself to paint a bird each day for 100 days. She just uses gouache and sliced wood logs to create her mixed-media portraits of colorful birds from different species.

In her words “I have always been drawn to birds and all that they represent, and I love painting birds because there is so much variety and variation in the bird world. I had fun bringing each bird to life on the timber, I enjoyed the tree/bird connection…and I found gouache to be very flexible and forgiving throughout the project.”

Scroll down and inspire yourself. Please check Deanna’s Instagram and Website for more amazing work.

You can find Deanna Maree on the web:

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# Daily Bird Painting Challenge – 10 Things I Learnt!


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Share favorite shots of Maple Grove in city photography contest | Free

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CJPOTY round 4 winners – Camera Jabber

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The theme for the fourth round of the Camera Jabber Photographer of the Year (CJPOTY) competition was ‘Movement’ and we’ve thoroughly enjoyed seeing all the amazing images that were submitted. After a long judging session, we are delighted to announce that the following images will be added to our shortlist to be judged by our illustrious panel of judges at the end of the year.

One of these ten shortlisted images has also been selected as the round winner with the photographer being awarded a voucher from MPB worth £500 – scroll down to find out who.

CJPOTY April 2023 Movement shortlisted images

Michael Harris

CJPOTY round 5 winners: Michael Harris

Michael’s creativity shines through with this lovely black-and-white image of a paddle boarder seemingly pursued by birds to give a wonderful sense of movement and direction.

Linda Wride

CJPOTY round 5 winners: Linda Wride

There’s a fabulous balance between blur and detail in this image that really captures the essence of a flamenco dancer.

CJPOTY round 5 winners: Linda Wride divers

Linda has two images shortlisted this month and it’s the excellent composition and timing that drew the judges’ attention to this one. The diver is caught perfectly in mid-air while someone looks on from above, giving a sense of scale.

Helen Trust

CJPOTY round 5 winners: Helen Trust

Helen’s careful composition ensures all the vertical lines in this image are perfectly straight while her exposure delivers a bright, airy feel with the figures blurred to give a sense of movement and activity.

Gail Johnson

CJPOTY round 5 winners: Gail Johnson

This must have been an incredibly difficult image to capture. We love the 50/50 split above and below the water. The pelican’s head is also ideally positioned to make it clear what type of bird we are looking at.

Peter Murrell

CJPOTY round 5 winners: Peter Murrell

Peter’s first-rate panning skills have delivered an eye-catching image of a fleeting moment with lots of movement in the background and just enough detail in the main subject. We also like his black-and-white treatment that removes the distraction of colour to focus attention on the subject and the motion.

Angela Harrod

CJPOTY round 5 winners: Angela Harrod

Angela has used intentional camera movement to create a very intriguing image. We’re not sure whether the people are flying kites, directing a UFO or conducting an unseen orchestra, but the judges kept going back to the image for another look and it’s made it onto our shortlist.

Christine Holt

CJPOTY round 5 winners: Christine Holt

We hope that Christine has given the canoer a copy of this fantastic image because it captures the drama of the whitewater along with the skill that’s required to navigate it. We love the concentration and effort on his face. It looks great in monochrome too.

Carole Downie

CJPOTY round 5 winners: Carol Downie

Carole’s image is full of colour and excitement because she’s photographed the riders at the perfect movement, just as they skid around a corner throwing up lots of dust. We love their dynamic, strong posture and the intensity in the eyes of the furthest rider.

Barbara Tasko

CJPOTY round 5 winners: Barbara Task

Barbara’s image shows a fight for life with a fish wriggling in the bird’s beak after it has struck. The curve in the fish’s body and the splash of water give a wonderful sense of movement.

CJPOTY April 2023 winner: Peter Murrell

CJPOTY round 5 winners: Peter Murrell

Congratulations Peter, a voucher to the value of £500 from MPB is heading your way!

Peter’s image joins the other 9 images that have been selected this month and goes onto our shortlist for judging by our panel of VIP judges at the end of the year for the overall prize.

CJPOTY May: Water

The theme for the fifth round of the 2023/24 Camera Jabber Photographer of the Year (CJPOTY) competition is ‘Water’. We want to see your best images of water whether it’s in the natural or urban environment; an ebbing tide, a mirror-smooth lake, a meandering river, flowing from a tap, spraying from a hose or trickling down an ornamental fountain.

This round of our monthly competition is open for submissions until 23:59 BST (00:59 CET and 15:59 PST) on 31st May 2023 (today).

To submit your entry follow the link to cjpoty or click on the CJPOTY button at the top of any of our website pages. You can submit up to three entries for £2.00 plus payment processing costs (£0.26). Images should be Jpegs at least 1920 pixels along their longest side but no larger than 2MB.

CJPOTY round 5 May 2023 - long exposure of the ocean

Camera Jabber Photographer of the Year prizes

At the end of the month, the Camera Jabber team will pick one winning image and nine runners-up from the May entries. The photographer of the winning image will receive a voucher from MPB.com to the value of £500 which can be spent on anything from a huge range of kit from the World’s biggest platform for used photographic gear.

All 10 of the selected images will go into our shortlist for the year.

We’ll do this each month in 2023 so that by the end of the year, there will be 120 shortlisted images. These will then go before our fantastic panel of judges who will decide the 1st, 2nd and 3rd-placed images.

The photographer of the first-placed image overall, as decided by the panel of judges , will receive a voucher to the value of £1000 from MPB.com as well as a trophy and the title ‘Camera Jabber Photographer of the Year 2023‘. The photographers who come second and third will receive vouchers worth £500 and £250 respectively.

MPB

About MPB

Founded by Matt Barker in 2011, MPB is the world’s largest platform for used photography and videography kit. MPB has transformed the way people buy, sell and trade equipment, making photography more accessible, affordable and sustainable.

Headquartered in the creative communities of Brighton, Brooklyn and Berlin, the MPB team includes trained camera experts and seasoned photographers and videographers who bring their passion to work every day to deliver outstanding service. Every piece of kit is inspected carefully by product specialists and comes with a six-month warranty to give customers peace of mind that buying used doesn’t mean sacrificing reliability.

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Tips for Students To Consider

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So you’re a film major looking for a way to create some social media video content. You probably think that adding an intro or an outro to a video created for social media is unnecessary. I’m here to tell you that reasoning like that would be a mistake. The role of intros and outros is more important than what they let on.

CapCut, a free online video editor, offers unique dynamic intros and outros for videos that can take your content to the next level. In this article, I’ll explore some essential tips for making intros and outros for your next big video with CapCut. So read on to find out more.

Creating Dynamic Intros and Outros for Videos With CapCut

Why Dynamic Intros and Outros Matter

Here are some notable reasons why dynamic intros and outros matter to a video.

  • Grabbing Attention: In the vast sea of video content on social media, it’s crucial to catch viewers’ attention immediately. A dynamic intro can create a solid first impression, enticing viewers to keep watching your video. It sets the tone for the content and piques curiosity, making viewers more likely to engage with your video.
  • Branding and Recognition: Intros and outros provide an excellent opportunity to establish and reinforce your brand identity. You can create a cohesive and memorable brand presence across your videos by incorporating your logo, brand colors, and unique visual elements. Consistent branding helps viewers recognize and remember your content, increasing brand visibility and fostering a sense of trust and familiarity.
  • Professionalism and Quality: A well-crafted intro and outro give your videos a professional touch, signaling that you’ve put effort and thought into your content. It sets the stage for a high-quality viewing experience and enhances your credibility as a content creator. A polished intro and outro can elevate the perceived value of your video, encouraging viewers to view you as an authority in your niche.

Creating Dynamic Intros and Outros for Videos With CapCut

Capcut Dynamic Intro and Outro Features

Some standout dynamic intro and outro features worth using include the following.

  • Text Animation Intros: These intros use animated text to introduce the video content. Users can choose from various fonts, styles, and animations to create eye-catching text intros that grab the viewer’s attention.
  • Logo Reveals: These are intros that highlight the brand or channel logo in a visually appealing way. CapCut provides options for logo animations, such as fading in, spinning, scaling, or morphing effects, to create impactful logo reveals.
  • Particle Effects Intros: Particle effects intros add a touch of magic and visual flair to the video. CapCut offers particle effects like sparks, confetti, fireflies, or glitter that can be used to create mesmerizing intros.
  • Dynamic Transition Intros: These intros utilize dynamic transitions to move from the intro to the main content smoothly. Users can choose from various transition effects, such as wipes, slides, zooms, or flips, to create seamless and engaging intros.
  • Video Collage Intros: Video collage intros combine multiple clips or images to create a dynamic and visually rich introduction. Users can uniquely arrange and animate these collage elements to produce captivating intros.
  • Lower Third Intros: Lower third intros display text or graphics at the lower portion of the screen to introduce the video content or provide essential information. CapCut offers customizable lower-third templates with various designs and animations.

When it comes to outros, CapCut provides similar dynamic options to wrap up the video effectively:

  • Fade Out or Zoom Out: A simple and clean way to end the video is by gradually fading or zooming out from the final frame.
  • End Screen with Call to Action: Outros can include an end screen that prompts viewers to take action, such as subscribing to the channel, following on social media, or watching another related video.
  • Credit Roll: For longer videos or collaborative projects, a credit roll outro can be used to acknowledge the contributors and provide additional information.
  • Stylized Outro Animation: CapCut enables users to create stylized animations or effects that serve as a memorable conclusion to the video.

Creating Dynamic Intros and Outros for Videos With CapCut

Tips for Creating Dynamic Intros and Outros with CapCut

So how do you pull off the proper intros and outros for your video content using Caput? Here are tips that should point you in the right direction.

  1. Keep it Concise: Attention spans on social media are notoriously short, so it’s essential to keep your intros and outros brief. Aim for around 5-10 seconds to ensure your audience remains engaged. Deliver your crucial message efficiently and avoid overwhelming viewers with excessive information.
  2. Incorporate Eye-Catching Visuals: Use captivating visuals that align with your content and brand. Consider including dynamic animations, motion graphics, or interesting transitions to make your intro and outro visually appealing. Experiment with different effects available in CapCut to add flair and uniqueness to your videos.
  3. Utilize Music and Sound Effects: Music plays a significant role in creating a mood and setting the tone for your video. Choose a soundtrack that complements your content and resonates with your target audience. CapCut provides a wide range of royalty-free music and sound effects, allowing you to add an audio dimension to your intros and outros. Ensure the audio enhances the viewing experience without overpowering the visuals or distracting viewers.
  4. Showcase Your Branding: Introduce your brand identity by incorporating your logo, brand colors, or typography in your intros and outros. Consistency is critical, so use the same branding elements across all your videos to establish a cohesive visual identity. This helps viewers associate your content with your brand and creates a sense of familiarity.
  5. Consider the Storyline: Think about how your intro and outro can connect with the content of your video. Craft a storyline that flows seamlessly from the intro to the main content and then to the outro. This cohesive narrative enhances the viewing experience and keeps viewers engaged throughout the video.
  6. Experiment with Templates: CapCut offers various pre-designed templates that can simplify the intro and outro creation process. These templates provide a starting point and can be customized to align with your brand and content. Explore the available options and adapt them to suit your unique style and preferences.

Creating Dynamic Intros and Outros for Videos With CapCut

Final Word

Creating dynamic intros and outros with this video background remover is vital to video content creation for social media. It helps grab viewers’ attention, reinforces your brand identity, and adds a professional touch to your videos. By following the tips outlined in this article, CapCut users can enhance their intros and outros, making their videos more engaging and memorable.


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Whitney Museum Hires Star Brooklyn Museum Curator for Photography Department

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Drew Sawyer.


© Provided by ArtNews
Drew Sawyer.


Drew Sawyer, a curator at the Brooklyn Museum, has been appointed the Whitney Museum’s Sondra Gilman Curator of Photography starting this July.


Elisabeth Sussman, the curator who had long held that post, is set to remain on the Whitney staff as she completes an exhibition focused on polymath artist Harry Smith, set to open in the fall. The museum did not specify what her role would be, however.


At the Brooklyn Museum, Sawyer’s exhibitions included a recent retrospective for Jimmy DeSana, a photographer whose sexually frank art made him a key member of the 1980s art scene before he died of AIDS-related causes in 1990. This November, Sawyer is set to open “Copy Machine Manifestos: Artists Who Make Zines,” which the Brooklyn Museum is billing as one of the largest museum shows dedicated to zines.


Before joining the Brooklyn Museum, Sawyer had been at the Columbus Museum of Art in Ohio, where he co-organized “Art after Stonewall: 1969–1989,” an ambitious survey of two pivotal decades of queer art. The show ranked on an ARTnews list of the most important exhibitions of the 2010s.


Other shows curated by Sawyer include celebrated solos for John Edmonds and Liz Johnson Artur, both at the Brooklyn Museum, which hired him in 2018.


“Drew is one of the liveliest and most penetrating minds in the field of photography and contemporary art today,” Scott Rothkopf, who will soon assume his post as director of the Whitney, said in a statement.


At the Whitney, Sawyer will spearhead the acquisition committee devoted to works of photography. With drawings and prints curator Kim Conaty, he will also facilitate the Sondra Gilman Study Center, named for the Whitney’s longest-serving trustee and home to the museum’s more than 19,000 prints, drawings, and photographs.


“I am excited to be joining the team at the Whitney at a pivotal time in the institution’s history, and I look forward to continuing their work in championing living artists and in redefining discourses in U.S. American photography and art through its renowned collection and programming,” Sawyer said in a statement.


His hire is the latest shift in the museum’s curatorial staff. In February, Marcela Guerrero was promoted from assistant curator to curator, and Jennie Goldstein was made associate curator. Rothkopf, currently senior deputy director and chief curator, was named director the following month. Similarly, Sawyer’s departure from the Brooklyn Museum is the second high-profile one this month; Eugenie Tsai, the institution’s longtime senior curator of contemporary art, announced she would step down at the end of June.

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