Fast wide-angle primes can come in useful for all sorts of things, from sweeping landscapes to architectural interiors and environmental portraits, as well as for street photography. Announced in August, Sigma’s new 20mm f/1.4 DG DN | Art and 24mm f/1.4 DG DN | Art lenses fit the bill perfectly, available in both Sony E and Leica L mount options. However, Sigma’s announcement positioned both lenses as being among the best on the market for astrophotography, thanks to their wide field of view, fast aperture, outstanding sharpness across the whole frame and effective control of sagittal coma flare.
August also saw the launch of the new Tamron 50-400mm F/4.5-6.3 Di III VC VXD zoom for Sony mirrorless cameras, originally announced and covered in our news the previous month.
Samyang (also badged Rokinon) launched the XEEN CF 135mm T2.2 cine lens in a range of popular mount options for filmmakers, including PL, Canon EF and Sony E.
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Meanwhile, Pentax was still persevering with lenses for DSLRs and released an updated lens roadmap. Forthcoming attractions would include an updated 100mm f/2.8 D-FA WR Macro lens and two new lenses, one a telephoto and the other a wide-angle.
Other news saw the polar opposite of a lens launch, in that Viltrox followed the likes of Samyang in pulling Canon RF mount lenses from the market. The favored rumor for the disappearance of these lenses was that Canon had not ‘opened up permission’ for the production of RF lenses by independent companies.
Following July’s bumper crop of lens reviews, August saw relatively slim pickings, although we did run the Leica 24mm Summilux-M f/1.4 ASPH through out labs. The resulting review praised the ultra-sharp image quality, excellent build quality and zero distortion, although we were less admiring of the exorbitant selling price.
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