Controlling Nature Might Be in Our Nature

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As we enter Autumn across the northern half of the planet, gardeners are weighing up whether the lawn could use one more trim before winter. The patch of grass in the garden has tried to be wild all summer, but has been kept in check by the mechanical grazer. But what’s wrong with some long grass? Why do we care about the maintenance of our lawns so much?  

The trend was started by rich aristocrats in eighteenth century England and France, who used a tamed lawn to indicate how wealthy they were. (Back then it had to be clipped by hand, making it a very expensive enterprise.)1 This association with wealth has been passed down to the modern day. Like a gold watch and a fancy car, a well-kept lawn serves as a status symbol to your neighbors.

As this painting by James Mason shows, a well-maintained and manicured lawn has been a status symbol in certain aristocratic societies in Europe and the Americas. 

But why did the rich aristocrats do it in the first place? Why were they proud that they could conquer nature? And why are we embarrassed to let our gardens become overgrown and unruly? Even with the modern move towards “rewilding” our gardens, we still feel the need to tell our friends that we’re planting native plants, or feeding pollinators, so the “wild” garden still has use and value. We’re still in charge, even when we magnanimously relinquish some part of our control.

The urge to bring order to nature is deeper than a transient social pressure. Instead, it’s a set of behaviors with deep evolutionary roots: a way of life that’s been selected for in our evolution over the course of thousands — or even millions — of years.

Our story starts somewhere in Sub-Saharan Africa between 2 and 3 million years ago. One evolutionary scenario suggests the emergence of the genus Homo was dependent on the increased foraging benefits created by fires.2 According to the “pyrophilic primate” hypothesis proposed by a team of anthropologists at the University of Utah, our very ancient ancestors may have intentionally begun moving burning or smoldering wood from naturally occurring fires to unburnt areas in order to increase the amount of foraging area they had access to after a fire.2 In doing so, our distant ancestors may have forever modified the ecosystem in East Africa, benefitting some species at the loss of others. Our existence today would imply this strategy of landscape manipulation was a winning one for early members of our genus.  The populations who regularly exerted some change on the landscape through burning regimes possessed a key advantage over those who didn’t. Over time, it seems likely that any genes involved in the behavior linked to starting fires in the landscape would be selected for.

Potential evidence for larger landscape scale fire management dates back to 100,000 to 200,000 years ago,3 with one study finding evidence from 400,000 years ago.4 These dates correlate with the accepted date for our own species’ appearance on the scene roughly 2-300,000 years ago.5 Perhaps this distinct behavior is a key characteristic that led to our emergence as a unique species, and could even explain why humans were able to reach much higher densities in ecosystems that could not sustain similar levels of less-meddling Neanderthals.6

We know that behavioral traits are something that can be selected for in a short period of time. Take, for instance, our domestic animals. Dogs are our oldest companions, but it’s probably safe to assume that 20,000 years ago their ancestors were no different from modern wolves in their behavior. Over that time period they have lost fear of being near humans, evolved stricter social hierarchies,7 and even learned how to read our emotions.8 Likewise, our modern friendly, peaceful cows are descended from the fierce aurochs, beasts that Julius Caesar warnedspare neither man nor wild beast which they have espied.9 Selection by humans has led to complete changes in behavior which are seemingly intrinsic to modern domestic animals.

Seeing as humans can cause these behavioral shifts so easily in other mammals, why not in ourselves? In fact, there is evidence that our species has gone through exactly this shift in a process known as self-domestication.10 We are less aggressive and more cooperative than our ancestors,11 and since our split from the lineage containing Neanderthals, hundreds of genes shown to be involved in facial and cranial development have accumulated regulatory mutations.10 Many of these same genes have also been under selection in our domestic animals.10

So if we have evidence that some behavioral traits in humans have been selected for in our unique evolution, I suggest we add one in particular to the potential list. That behavior is the intrinsic need to exert some level of control over our environments. Whether it was our original homeland in East Africa, the forests of North America, the jungles of the Amazon or the savannahs of Australia, wherever humans arrived, those groups of people who actively modified their ecosystems were at an advantage to those who didn’t. From eradicating the predators that might kill our children, to burning scrub to force grass to grow and attract prey, to nurturing and planting fruit trees, those peoples that affected change on their landscape were safer and had more calories, and so would have passed on their genes more often. In the same way that a golden retriever has the urge to swim and bring things back to their owner, modern humans may have been bred to want to manage wild places.

Animals modifying their immediate environment for their own benefit is not a novel idea. Known as niche construction,12 it can be seen in behaviors such as termites building mounds and birds making nests. But the difference between humans and these other species is that we are completely plastic in how we create niches for ourselves. Rather than our niche construction behavior being specific like a beaver making a dam, instead in humans it is simply an innate desire to “improve” the world around us in any way we can to ensure the survival of ourselves and our descendants. Homo sapiens is an obligate ecosystem architect, and in any ecosystem this behavior will  inevitably lead to an environment specific strategy that ensures a population’s survival.

The evidence can be seen in the myriad of ways humans have adapted to environments around the world. Despite the popular view of non-Western tribal people living in harmony with nature before the arrival of modern farming, we now know that people living in every corner of the planet were modifying the landscape to fit their needs long before Europeans expanded their culture around the globe. When the British first landed on Australia’s east coast, they were amazed to find a verdant grassland perfect for rearing sheep.13 It turns out that it was a completely man-made landscape, created by Aboriginal Australians regularly burning the landscape in a controlled manner to increase kangaroo numbers, with the method even being dubbed “fire-stick farming.”13 Likewise the rich open forest landscape teeming with wild game, fruits, and meadows that greeted early American colonists was in fact created by Native Americans’ agricultural clearing and burning.14 Even evidence from the Amazon rainforest suggests that instead of being a pristine untouched wilderness, large swaths are instead overgrown orchards.15 For millennia before Old World diseases and harsh colonial policies wiped most of them out, indigenous groups managed forests to promote useful trees over other wild trees,15 and improved the fertility of soil with charcoal and organic matter.16

The advent of farming in the Middle East 10,000 years ago, often thought of as a pivotal change in how humans interacted with and shaped their environments, could instead be a continuation of an ancient pattern of behavior stretching back 300,000 years or more. The common image of this change depicts passive hunter gatherers following herds of animals around the grasslands of the Levant, when suddenly someone had a eureka moment and decided that instead of being helpless subjects of their environments, they would take control and grow the food they need from the seeds of grasses (i.e., grains). In reality the grassland they lived in probably existed in part due to their intentional burning, and genetic evidence suggests that humans started influencing the evolution of wheat and barley 30,000 and 20,000 years ago respectively,17 predating the agricultural revolution by 10-20,000 years. So rather than farming being a complete change in how humans behave, instead it could be viewed simply as an intensification of one of our natural behaviors.

The transition from wild grasses (R) to cultivated wheat and barley (L) began thousands of years before the traditionally marked start of the agricultural revolution. Photo by/Copyright of Richard Humphrey licensed for reuse under the Creative Commons Licence 2.0.

Jump forward now to the modern day. We are all too familiar with the ongoing crises affecting biodiversity and the climate. However, by simply blaming corporations, capitalism, and the worst excesses of the modern economy, we are giving ourselves scapegoats instead of addressing the deeper roots of why we keep damaging the planet. This harm is not the consequence of a particular culture or form of social organization; instead, it is a manifestation of behavior rooted in the deepest level of what makes us human. We need to accept that it is in our nature to want to control nature, and in doing so we can begin to  recognize where this behavior is no longer in our best interest, but also direct it to where it’s needed. Every year our knowledge of how ecosystems function deepens — and our technical capacity to reshape ecosystems grows.

Human ecosystem management has already kept a number of species from going extinct. For example, a large proportion of Europe’s bird species are considered farmland birds,18 meaning they are evolved for open grassland or forest edge environments (i.e., savannah). In the past interglacial period, this habitat was created by Europe’s elephants, rhinos and other large herbivores which are now extinct,19 most likely due to human action.20 Yet these open landscape species survive. In a perhaps ironic twist, these birds are now largely reliant on ecosystem-meddling Homo sapiens for their existence, dwelling in habitat that is largely created by traditional human farming activities, which prevent closed canopy forest from taking over. In the absence of megaherbivores like elephants being reintroduced any time soon, we need to recognize our function as keystone species in these environments.

European farmland birds like the Grey Partridge (Perdix Perdix) rely now on human-controlled landscapes to serve as their habitats. Photo by Kostikidis Georgios, CC BY-SA 4.0, via Wikimedia Commons

Of course, direct human intervention is not always required to ensure the thriving of a species. Instead, sometimes the best thing is not to interfere but instead intentionally step back and let nature figure it out. In the 01960s, when the deadly rinderpest virus was finally eradicated from cattle in East Africa, the numbers of wildebeest in the Serengeti started to increase dramatically. There were calls by wildlife experts to start culling and managing the herd, but they were ignored by the park ecologists who figured nature knew best.21 Once the herd reached around 1.3 million animals it stabilized and changed the landscape in a way that benefitted many more animals. Increased grazing led to fire suppression which meant more trees grew, providing more food for elephants, whose numbers then increased. The difference between the savannahs of Africa and the grasslands of Europe may lie in their ecological history: the Serengeti retained its full suite of megafauna and other species, so was able to fully recover on its own, whereas Europe has lost most of its large animals — leaving humans as both culprit and last line of defense for ecological degradation.

The continued presence of megafauna like wildebeest in the Serengeti in East Africa has allowed that ecosystem to maintain itself with less direct human involvement. Photo by Daniel Rosengren, CC BY 4.0, via Wikimedia Commons.

So through our actions we have reached our present predicament, where we can see that we are needed to help certain ecosystems, and yet some are better off without us. Our deeply ingrained unease at leaving nature unmanaged means that as long as we are around we will want to interfere with our environment. But just as we’re learning to overcome other ingrained behaviors like wanting to overindulge in sugary foods, we can also learn to tame this behavior. The key will be knowing where to show restraint, and where our input has value. The megafaunal extinctions caused by our ancestors at the end of the Pleistocene led to a simplification of the complexity of ecosystems22 outside of Africa and South East Asia, and this simplification can make ecosystems less resilient.23 But it turns out we can actually restore ecological functions using proxies for extinct species, one example being Pablo Escobar’s escaped hippos in Colombia filling the long empty niche of the extinct llama Hemiauchenia paradoxa.24 The prospect of de-extinction further promises that we will be able to restore extinct ecological functions and even potentially prevent runaway climate change by keeping permafrost intact in Siberia using mammoth-elephant hybrids.25

But even if the prospect of de-extinction doesn’t pan out, we could begin taking the very long view and starting the evolutionary processes that will reap ecological rewards for our descendants thousands of years in the future. If we can’t bring back the woolly mammoth, then instead we could introduce Asian elephants to parts of temperate Eurasia or North America which are warm enough for them to survive and thrive, but also have access to colder environments. Over time as some adventurous herds head further north following summer growth, natural selection will take the lead, and hairy elephants will start to reappear in the Arctic. Like our ancient ancestors in the Levant 30,000 years ago beginning a process that would lead to the agricultural revolution 20,000 years later, we can start putting the building blocks of future ecosystems in place now so that our descendants will live on a planet with fully functioning resilient ecosystems everywhere. Our innate desire to control nature has led us to where we are today, both the good parts and the bad. Recognizing this behavior means we can show restraint in the Serengetis of the world, and direct our efforts toward rebuilding the damaged parts.

References

1. Jenkins, V. (1994). The lawn: A history of an American obsession. Smithsonian Institution.

2. Parker, C. H., Keefe, E. R., Herzog, N. M., O’connell, J. F., & Hawkes, K. (2016). The pyrophilic primate hypothesis. Evolutionary Anthropology: Issues, News, and Reviews, 25(2), 54-63.

3. Gowlett, J. A. (2016). The discovery of fire by humans: a long and convoluted process. Philosophical Transactions of the Royal Society B: Biological Sciences, 371(1696), 20150164.

4. Bird, M. I., & Cali, J. A. (1998). A million-year record of fire in sub-Saharan Africa. Nature, 394(6695), 767-769.

5. Vidal, C. M., Lane, C. S., Asrat, A., Barfod, D. N., Mark, D. F., Tomlinson, E. L., … & Oppenheimer, C. (2022). Age of the oldest known Homo sapiens from eastern Africa. Nature, 601(7894), 579-583.

6. Mellars, P., & French, J. C. (2011). Tenfold population increase in western europe at the neandertal–to–modern human transition. Science, 333(6042), 623-627.

7. Wynne, C. D. (2021). The indispensable dog. Frontiers in Psychology, 12, 656529.

8. Albuquerque, N., Guo, K., Wilkinson, A., Savalli, C., Otta, E., & Mills, D. (2016). Dogs recognize dog and human emotions. Biology letters, 12(1), 20150883.

9. C. Julius Caesar. Caesar’s Gallic War. Translator. W. A. McDevitte. Translator. W. S. Bohn. 1st Edition. New York. Harper & Brothers. 1869. Harper’s New Classical Library.

10. Zanella, M., Vitriolo, A., Andirko, A., Martins, P. T., Sturm, S., O’Rourke, T., … & Testa, G. (2019). Dosage analysis of the 7q11. 23 Williams region identifies BAZ1B as a major human gene patterning the modern human face and underlying self-domestication. Science advances, 5(12), eaaw7908.

11. Wrangham, R. (2019). The goodness paradox: how evolution made us both more and less violent. Profile Books.

12. Odling-Smee, F. J., Laland, K. N., & Feldman, M. W. (1996). Niche construction. The American Naturalist, 147(4), 641-648.

13. Jones, R. (2012). Fire-stick farming. Fire Ecology, 8, 3-8.

14. Denevan, W. M. (1992). The pristine myth: the landscape of the Americas in 1492. Annals of the Association of American Geographers, 82(3), 369-385.

15. Levis, C., Souza, P. F. D., Schietti, J., Emilio, T., Pinto, J. L. P. D. V., Clement, C. R., & Costa, F. R. (2012). Historical human footprint on modern tree species composition in the Purus-Madeira interfluve, central Amazonia. PloS one, 7(11), e48559.

16. Palace, M. W., McMichael, C. N. H., Braswell, B. H., Hagen, S. C., Bush, M. B., Neves, E., … & Frolking, S. (2017). Ancient Amazonian populations left lasting impacts on forest structure. Ecosphere, 8(12), e02035.

17. Allaby, R. G., Stevens, C., Lucas, L., Maeda, O., & Fuller, D. Q. (2017). Geographic mosaics and changing rates of cereal domestication. Philosophical Transactions of the Royal Society B: Biological Sciences, 372(1735), 20160429.

18. https://pecbms.info/

19. Sandom, C. J., Ejrnæs, R., Hansen, M. D., & Svenning, J. C. (2014). High herbivore density associated with vegetation diversity in interglacial ecosystems. Proceedings of the National Academy of Sciences, 111(11), 4162-4167.

20. Andermann, T., Faurby, S., Turvey, S. T., Antonelli, A., & Silvestro, D. (2020). The past and future human impact on mammalian diversity. Science advances, 6(36), eabb2313.

21. Carroll, S. B. (2016). The Serengeti rules: the quest to discover how life works and why it matters. Princeton University Press.

22. Galetti, M., Moleón, M., Jordano, P., Pires, M. M., Guimaraes Jr, P. R., Pape, T., … & Svenning, J. C. (2018). Ecological and evolutionary legacy of megafauna extinctions. Biological Reviews, 93(2), 845-862.

23. Fricke, E. C., Ordonez, A., Rogers, H. S., & Svenning, J. C. (2022). The effects of defaunation on plants’ capacity to track climate change. Science, 375(6577), 210-214.

24. Lundgren, E. J., Ramp, D., Rowan, J., Middleton, O., Schowanek, S. D., Sanisidro, O., … & Wallach, A. D. (2020). Introduced herbivores restore Late Pleistocene ecological functions. Proceedings of the National Academy of Sciences, 117(14), 7871-7878.

25. Mann, P. (2018) Can Bringing Back Mammoths Help Stop Climate Change? Smithsonian Magazine

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25 Pictures That Will Leave You Breathless

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The sensation of vertigo, or acrophobia, is a widely shared fear, yet you don’t need an extreme aversion to heights to feel uneasy when peering down from a towering structure. The sudden weakness in the knees, the unsettling urge to lose balance, and the dizzying feeling are all familiar reactions for most of us when confronted with significant heights. On the other hand, some individuals possess an unwavering composure, remaining completely unfazed by towering precipices.

A simple way to gauge your response is to explore the images below, depicting steep hillsides, rooftop perimeters, and daring individuals ascending bridges and other towering edifices. As you scroll, you might find yourself questioning your own equilibrium, even though you are firmly planted on stable ground. These images can evoke a sense of imbalance and unease, stirring feelings that transcend acrophobia, reminding us of the profound impact heights can have on the human psyche, regardless of one’s fear level.

Scroll down and enjoy yourself. All photos are linked and lead to the sources from which they were taken. Please feel free to explore further works of these photographers on their collections or their personal sites.

#1 If My SO Suggested This Photo Idea, I’d Rather Be Single

Stunning Photos Of Breathless Heights

Image source: angela_nikolau

#2 Getting Up On The Wrong Side Of The Bed Is Not An Option

Stunning Photos Of Breathless Heights

Image source: arnaudpetit_climb

#3 On The Edge 1400 Feet Above Central Park

Stunning Photos Of Breathless Heights

Image source: Driftershoots

#4 A Moment I’ll Never Forget. Sometimes The Timing Is Perfect And All The Elements Line Up For You. This Was One Of Those Times

Stunning Photos Of Breathless Heights

Image source: shortstache

#5 As A Person Who Is Afraid Of Heights I’m Not Sure If This Would Make It Easier Or More Difficult To Do Your Business In This Toilet

Stunning Photos Of Breathless Heights

Image source: hernandezsilva.com.mx

#6 Say Cheese

Stunning Photos Of Breathless Heights

Image source: My_Shitty_Alter_Ego

#7 Sunbathing On A Roof, What Could Go Wrong?

Stunning Photos Of Breathless Heights

Image source: angela_nikolau

#8 Harihar Fort – A Moist, Steep Staircase In India

Stunning Photos Of Breathless Heights

Image source: Discover India

#9 On Top Of The Stairs In Pico Tijuca, Brazil

Stunning Photos Of Breathless Heights

Image source: 4reddityo

#10 Strong Performance

Stunning Photos Of Breathless Heights

Image source: dailaojeda

#11 In Brazil, There’s An Apartment Building With A 40-Store Spiral Staircase Attached To The Outside Meant As A Fire Escape. What Scares You More? Fire Or Falling?

Stunning Photos Of Breathless Heights

Image source: malgoya

#12 Cleaning The Blinds

Stunning Photos Of Breathless Heights

Image source: Manuel Ruiz

#13 Me Facing My Immense Fear Of Heights 103 Floors Up On The Willis Tower In Chicago! I Did It

Stunning Photos Of Breathless Heights

Image source: manwilaugh

#14 1.4-Mile Highline Walk

Stunning Photos Of Breathless Heights

Image source: Insta360

#15 Victory Over Fear Of Heights, 1000m

Stunning Photos Of Breathless Heights

Image source: MuffeJones

#16 Conquered My Fear Of Heights

Stunning Photos Of Breathless Heights

Image source: demhagul

#17 I Love Roof-Topping Photos. Does Anyone Have Any Good Ones?

Stunning Photos Of Breathless Heights

Image source: bbeelzebubb

#18 Château Frontenac, Quebec City

Stunning Photos Of Breathless Heights

Image source: reddit.com

#19 Hanging Out About ~130 Feet Up Above Deck On A Tall Ship

Stunning Photos Of Breathless Heights

Image source: fender8421

#20 Ancient Arts – First Outdoor Climb, First Multi-Pitch Climb, First Climb On Ropes (I Do Indoor Bouldering)

Stunning Photos Of Breathless Heights

Image source: reddit.com

#21 Fixing An AC Compressor On A Level 28 Ledge

Stunning Photos Of Breathless Heights

Image source: torosalmon

#22 Pulpit Rock From Above With A Growing Crack. Not A Safety Rail In Sight

Stunning Photos Of Breathless Heights

Image source: AndreVonDrei

#23 Hanging Out 3,000 Feet Above The Golden Gate Bridge

Stunning Photos Of Breathless Heights

Image source: jacob

#24 Risky Shot

Stunning Photos Of Breathless Heights

Image source: yaro_pancenko

#25 Exploring Some Of The Newer Crags On Kalymnos, Still Got The Goods After All These Years Of Development

Stunning Photos Of Breathless Heights

Image source: Kieran_J_Duncan

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Wilton Wildlife Preserve seeking entries for photography contest – troyrecord

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WILTON, N.Y. — Wilton Wildlife Preserve is hosting a photography contest and show and is currently seeking entries.

The Preserve is looking for photographers who enjoy taking pictures of nature or of people enjoying nature. The photography show’s intent is to “highlight the beauty and the mission of Wilton Wildlife Preserve & Park.” All work should be original and have been taken at the Wilton Wildlife Preserve & Park. This year the selected photographs will be displayed virtually, through a virtual Photography Gallery.

The entry deadline is Nov. 1, and up to four entries will be accepted per person. There will be prizes awarded for the following categories; Best in Show, Best Nature in Winter, Best featuring Conservation, Best featuring Education, Best featuring Recreation, Best Nature in Autumn, Best Animal Shot, Best Karner blue butterfly, and Best under-13. Entries should be submitted via email to [email protected] with the following information: attached photograph files saved as jpeg, name, address, phone number, email, title of each submission, age if under 13.

For more information, contact Wilton Wildlife’s office at 518-450-0321 or via email at [email protected]. For up-to-date trail conditions or program information, visit the website at www.wiltonpreserve.org.

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Celebrate Nature Nearby During National Wildlife Refuge Week October 8-14, 2023

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merced national wildlife refuge birds credit linda gast stilt
Birds at the Merced, California National Wildlife Refuge
Credit: Linda Gast/Sierra Sun Times

October 8, 2023 – The U.S. Fish and Wildlife Service encourages you to celebrate nature during National Wildlife Refuge Week, October 8-14, 2023. This special time is a chance to boost your health and enjoy the outdoors while experiencing the nation’s premier wildlife conservation network, the National Wildlife Refuge System. Founded in 1903, the system provides nature nearby to millions of Americans while conserving vital habitat for wildlife.

“National wildlife refuges are places that are so important to community health and the economy because they provide places where both wildlife and people can recharge and find respite. They are American treasures,” said Service Director Martha Williams. “National Wildlife Refuge Week is a great time for Americans to join us in celebrating and protecting the wonders of nature that can be found at a nearby   .”

Increasing access to public lands and waters is a central component of President Biden’s America the Beautiful initiative. National wildlife refuges provide habitat for thousands of species and access recreation, from wildlife watching, photography, fishing, hunting and walking in nature.

National Wildlife Refuge Week occurs yearly during the second full week of October. This year’s celebrations will kick off October 7 with Urban Wildlife Conservation Day. Admission is free October 8 at national wildlife refuges that normally charge an entrance fee. Nearly 500 national wildlife refuges and wetland management districts offer free admission year-round.

For the third year in a row, the Service will partner with the Public Lands Alliance to host over 40 free walking events at wildlife refuges across the country in celebration of Refuge Week. Register for a free event near you or walk virtually for all of America’s Wildlife Refuges.

“Every year, Refuge Week ‘Walk for the Wild’ events attract more families and friends to discover and appreciate the wonder of nature at their doorsteps and grow awareness and support for national wildlife refuges,” said Dan Puskar, president and CEO of the Public Lands Alliance. “Through our unique partnership with wildlife refuges and more than 45 refuge Friends groups, ‘Walk for the Wild’ helps thousands experience nature and enrich their lives.

There is a national wildlife refuge within an hour’s drive of most major metropolitan areas. More than 100 urban refuges and dozens of urban partnerships and migratory bird treaty cities are part of the Service’s Urban Wildlife Conservation Program, which seeks to connect the 80 percent of Americans who live in and near cities with vital access to nature. These programs work with communities to understand needs, clear barriers to participation, advance urban conservation, and strengthen communities by improving access to green space, environmental education and outdoor recreation.

The Refuge System is an unparalleled wildlife conservation network of 568 national wildlife refuges and 38 wetland management districts. The Refuge System offers many healthful outdoor activities including fishing, wildlife viewing and wildlife photography while providing vital habitat for thousands of wildlife species, including many that would not likely have survived in the wild had it not been for refuge-led habitat restoration efforts. Whooping cranes, American crocodiles, California condors, manatees, sea turtles and American bald eagles are just some of the iconic species whose recovery has been bolstered by national wildlife refuges.

Refuge-led conservation efforts at places like Rocky Mountain Arsenal Refuge near Denver have generated a resurgence of wildlife viewing opportunities, supporting such iconic species as bald eagles, bison and black-footed ferrets within view of the city skyline. Tidal marsh restorations in San Francisco Bay and Willapa Bay in Washington provide new feeding and rearing areas for salmon and migratory birds, while also benefitting local communities through reduced flood risk, improved water quality and increased access to recreational trails.

National wildlife refuges contribute $3.2 billion per year into local economies and support more than 41,000 jobs, according to the Service’s report Banking on Nature. Visits to refuges have doubled in the last 10 years, reaching 67 million visits in 2022. National wildlife refuges also make life better by conserving wildlife, protecting against erosion and flooding and purifying our air and water.

Learn more about this year’s celebration, including virtual and in-person events by visiting: https://fws.gov/events.
Source: USFWS

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30 Most Inspiring Photos From “Analogue Photography” Facebook Page

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Analog photography, also known as film photography, is a traditional method of capturing and developing images using photosensitive film and chemical processes. In this approach, light entering through the camera’s lens exposes the film, capturing the image.

The exposed film is then developed using a series of chemical baths, revealing the latent image. This process results in a physical negative or slide, which can be further processed to create prints or digitized through scanning. Analog photography offers a unique aesthetic characterized by its grain, color rendition, and timeless appeal, attracting enthusiasts and artists who appreciate the hands-on experience and artistic possibilities it provides, despite the widespread adoption of digital photography in recent years.

“Only Analogue Photography” is a Facebook page with around 70K followers. Here we are presenting 30 most inspiring photographs from the page. You can check more photos from the link.

Scroll down and enjoy yourself. All photos are linked and lead to the sources from which they were taken. Please feel free to explore further works of these photographers on their collections or their personal sites.

#1 St. Barthelemy, 1994 by Patrick Demarchelier

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#2 Ship Painter, Aruba, South America, 1957 by Esther Bubley

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#3 Umbrella by Ralph Gibson

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#4 View from Notre Dame, Paris, France, 1955 by Henri Cartier-Bresson

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#5 Femme enceinte, 1971 by Edouard Boubat

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#6 Praga, 1928 by Josef Sudek

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#7 ‘Grain bags as bed’, Calcutta, India, 1951 by Werner Bischof

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#8 Photo by Sally Mann

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#9 Zydėjimas 49, 1976 by Romualdas Rakauskas

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#10 South of Djanet Algeria, 2009 by Sebastião Salgado

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#11 Brad Pitt, Calabasas, 1994 by Peggy Sirota

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#12 Follow MJ in Sardinia, 1980 by Ralph Gibson

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#13 Weisse Rose im Glas, 1954 by Josef Sudek

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#14 Fiona Campbell, Corse. Nouveau Femina, juin 1954 by Georges Dambier

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#15 Scotland, 1977 by Josef Koudelka

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#16 The Misfits, 1960 by Ernst Hass

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#17 Photo by Dominik Friess

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#18 Fosters Pond, 2000 by Arno Rafael Minkkinen

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#19 “Dancers’ Arms” 1970 by Harold Feinstein

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#20 Serie fotografica, 1953 by Paolo Monti

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#21 Baie des Anges, France, 1959 by Bill Brandt

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#22 A Midsummer Night’s Dream, 1957 by Toni Frissel

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#23 Italy, Milan, 1949 by Elliott Erwitt

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#24 Indian Mother and Child, Madras, 1971 by Edouard Boubat

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#25 Flower, 1982 by Robert Mapplethorpe

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#26 Issey Miyake, New York, 1990 by Irving Penn

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#27 The thinker, Mulholland dam, 1930 by Hiromu Kira

Best Photos Of Analogue Photography

Image Source: Analogue Photography

#28 On The Beach, 1981 by Jeanloup Sieff

Best Photos Of Analogue Photography

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#29 Dive, 1935 by André Kertész

Best Photos Of Analogue Photography

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#30 Amongst the Daisies, 1939 by Edwin Smith

Best Photos Of Analogue Photography

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Photography to be made available on prescription to improve mental health in the UK

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Photography is now available on prescription for people struggling with their mental health, as part of a project launched by Wex Photo Video and supported by the National Academy of Social Prescribing (NASP).

The project aims to help those struggling with mental health issues such as PTSD, anxiety, and depression. The idea is to boost self-esteem, reduce stress, and combat loneliness through the power of photography.

The prescription will include access to photography workshops, online resources, and photography equipment, provided by Wex Photo Video. Due to the fantastic results, social prescribing has become more popular as a way to help improve mental health. Social prescribing is the term for when a medical practitioner such as a GP or therapist, prescribes social activities as a way to enrich the patient’s life. In the UK this has involved the prescription of fishing, physical activities, and spending time in nature.

According to the UKGov website, social prescribing can reduce the need for medical support and has been shown in some cases to reduce GP consultations by an average of 28% and A&E attendance by 24%. Three community groups have already signed up to be a part of the program including Arts Network in London, creativeShift in Bristol, and START Centre in Greater Manchester.

NHS Doctor and Mental Health ambassador Dr Alex George outdoors with his camera

NHS Doctor and Mental Health ambassador Dr Alex George, who endorses social prescribing, is also supporting the project. When speaking on social prescribing and the benefits of including photography Dr. George says:

“Social prescribing can boost self-esteem and improve your mental wellbeing. Having recently taken up photography, I can say first-hand that there is something truly remarkable about being behind the camera. Many people with mental health issues struggle to express their thoughts and emotions with words, which can make it difficult to convey how they are feeling and what they need. The saying goes that a picture is worth a thousand words – that’s exactly what makes photography such a powerful outlet for self-expression.”

If you want to get started in photography, check out our guide to the best beginner cameras

Many of us know firsthand the benefits that photography has on our well-being. Whether it is getting fresh air outdoors, translating feelings into creative imagery, or capturing time-lapses in a meditative state. Projects like this become much more viable when they have the backing of large-profile corporations such as Wex Photo Video. Wex’s support will allow more people to benefit from our hobby and get much-needed help. Paul Wareham, Marketing Director of retailer Wex Photo Video, says:

“Photography can be so much more than a hobby; it’s a powerful tool for conveying emotion. By giving people with mental health difficulties access to masterclasses, equipment, and ongoing support, we want to connect them to a wider community; help develop their self-esteem and give them a channel for self-expression. Whilst photography will never be the total solution, we hope that this project will help some people who are currently struggling.”

As somebody who suffers from the issues mentioned in this article, I am all for more of this type of work from large companies, and I am very impressed by Wex for driving this to fruition. This project will allow photography to be more accessible to those who need it most, and that is nothing short of admirable.

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Bristol photography project by GCSE students on display

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A new project featuring artwork created by photography students has gone on display in a city centre.

“What you can’t see, you don’t know” opened in Millennium Square in Bristol on Saturday.

The project, which was coordinated by science centre We The Curious, was created by GCSE photography students from Bristol Brunel Academy (BBA) and local photographer Ilayda Akarca.

It will be on display until 6 January, 2024.

The Year 11 students chose to base the project, consisting of 28 photographs, on the theme of “identity”.

Using the historic location of Kings Weston House, they were tasked with thinking about how they could be represented there. They brought photos of them as children to include in the project.

The project was funded by Bristol City Centre Business Improvement District (BID), Life With Art and Marks & Spencer.

Vicky Lee, Head of Bristol City Centre BID, said: “It’s really important to us to fund projects like this, where young people in Bristol are not only gaining qualifications for their future, but are also exploring their creative potential.

“It’s a privilege for us to be able to help share young people’s creativity with city-centre audiences.”

Julian Welsh, Special Projects Producer at We The Curious said: “Many people who live in Bristol don’t regularly come into the centre.

“With the generous help of our funders, this project has carved out a space for the students from BBA to show their amazing work for all the city-centre visitors to see, and perhaps give them more of a feeling that this is their space too.”


Follow BBC West on Facebook, X and Instagram. Send your story ideas to: [email protected]



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Raghu Rai on what keeps him connected to photography Ever changing life and nature

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    New Delhi, Oct 7 (PTI) At 80, Raghu Rai says he feels connected to life and nature through photography, a profession he picked up over five decades ago after leaving his “boring” job as a civil engineer.
    For Rai, the best thing about capturing moments on camera is coming face-to-face with questions about life and its ever changing nature.
    “I’m more than 80 and I’m still alive and there. I feel connected and I’m blissfully happy… It’s been more than 55 years but the most powerful part about photography is — life and nature is ever changing and ever challenging and that shakes you up,” the veteran photographer told PTI in a virtual interview.
    It was in the early 1960s when Rai said he left his “boring 9 to 5 job” and casually accompanied a photographer friend on an assignment.
    The ace photographer said it was a moment of “revelation” when he looked through the viewfinder for the first time.
    “When I put on a camera and looked through the viewfinder, suddenly all the energy and concentration came together. This was something that had happened to me for the first time. I could concentrate and penetrate through the world around me. For me, it was a great revelation. That’s why I couldn’t move to anything else,” he recalled.
    Rai started his photojournalism career as the chief photographer of national daily The Statesman and later worked as the picture editor of weekly news magazine Sunday. He also worked as a photo editor and visualiser of the fortnightly magazine India Today.
    He trained under Henri Cartier-Bresson, considered one of the greatest photographers ever. Cartier-Bresson is regarded as the master of candid and street photography.
    Some of Rai’s most notable works include the scenes after the 1984 Bhopal industrial disaster, the documentary series on Mother Teresa, the Dalai Lama and former prime minister Indira Gandhi.
    During his time in Calcutta, now Kolkata, the photographer extensively captured Indian cinema legend Satyajit Ray through his camera.
    Though people mostly write about his artistic work, photojournalism holds a special place for the veteran as he believes it’s the “visual history of tomorrow”.
    “Photojournalism is very precious to me. People talk about art photography, this and that… The purpose of photography is to capture the time we live in… be it a social or a political situation.
    “When you capture the essence of any situation at the right time, it is going to be the visual history of tomorrow. History is written and rewritten but visual history can’t be re-written,” he said.
    Rai is currently associated with National Geographic India’s photography reality show “#nofilter by IndiGo” as a judge along with filmmaker Imtiaz Ali.
    The community building initiative features nine participants who are tasked to capture the essence of India through their lens.
    The show premiered on September 30 on all platforms of National Geographic with new episode airing every Saturday. The programme will see Rai and Ali challenge the participants to explore the iconic locations of Delhi under specific themes.
    Rai said the enthusiasm shown by young photographers reminded him of his own rookie days.
    “You see your reflection in others in so many situations… That’s what connects you with young minds. When we were growing up, we didn’t have any such forum. It’s so good,” he added.
    As somebody who started with film cameras, photography in the digital era is “magical” for Rai. He believes technology empowers photojournalists today by giving them much more control.
    “Digital age is magical, even for me. Taking pictures with a film camera, being uncertain about results, was a bit mysterious. Today, you click a picture and the ability to see it right now gives you so much control.
    “It empowers you to sort of correct your path, gather your concentration and penetrate deeper. It’s a great aspect of digital photography. It’s like a painter using a brush and colour and knows what is happening on his canvas. It is unique to the digital era,” he added.
    The advice Rai has for the upcoming photographers is not to click pictures that they have already seen before.
    “I believe the human mind has a possibility of discovering something which is never seen before, provided your mind space is clean and you are looking at the world for fresh possibilities.
    “It’s tough because our mind space is already invaded with ideas, images, thoughts and sounds. That keeps dictating…You need to have the courage to say ‘hold on’,” he said.

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20 Stunning Winning Photos Of The Epson International Pano Awards 2023

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The champions of the 14th annual Epson International Pano Awards have been revealed. The top honoree, showcased above, is Spanish photographer José D. Riquelme. Celebrating the finest panoramic photography from across the globe, the Epson International Pano Awards stand as the premier global competition for panoramic images.

Riquelme, hailing from Murcia, Spain, is a dedicated landscape and night photographer fueled by passion. Despite his rich background in graphic design and printing, Riquelme embraced photography just eight years ago. In his initial two years, he relied solely on his smartphone, ingeniously seeking captivating compositions in conventionally overlooked and unphotogenic settings.

“2023 has again proven to be a truly inspiring year for Pano Awards entries. They are all excellent in terms of quality and creativity. Epson is proud to support and sponsor these awards as they connect photographers of all levels and from all walks of life through their passion,” says Craig Heckenberg, Epson Australia MD.

In the current edition, the competition amassed a staggering 4,414 submissions from 1,104 talented photographers, both professional and amateur, representing 102 countries. This marks a notable uptick in entries compared to the previous year.

Scroll down and inspire yourself. You can check their website for more information.

You can find more info about Epson Photo Awards:

#1 Open Photographer of the Year: The Bridge, Iceland by Jose D Riquelme

Epson International Pano Awards 2023 Winners

“After a dozen visits to Iceland, exploring its majestic lands, during a rest stop, I decided to change my perspective and launch my drone. To my amazement, I captured this incredible image. From above, lines form a bridge extending from left to right, while on the ground, abstract shapes emerge from the flowing river water originating from the glacier,” Riquelme explains of his overall winning image, The Bridge.

#2 Open Photographer of the Year: Ghost Cave, Iceland by Jose D Riquelme

Epson International Pano Awards 2023 Winners

#3 Open Photographer of the Year: Alone in the Dark, Namibia by Jose D Riquelme

Epson International Pano Awards 2023 Winners

#4 Overall Runner-Up: Vortex of Ducks, Vietnam by Cao Ky Nhan

Epson International Pano Awards 2023 Winners

#5 Amateur Photographer of the Year: Jack Fish Art, Baja California Sur, Mexico by Merche Llobera

Epson International Pano Awards 2023 Winners

#6 Amateur Photographer of the Year: All you can eat, Baja California Sur, Mexico by Merche Llobera

Epson International Pano Awards 2023 Winners

#7 Amateur Photographer of the Year: Spirits of the Sea, South africa by Merche Llobera

Epson International Pano Awards 2023 Winners

#8 Amateur Overall Runner-Up: Mystical Inca, Peru by Hung Chang Lin

Epson International Pano Awards 2023 Winners

#9 Epson Digital Art Prize: Disney Concert Hall, LA, USA by Swee Choo Oh

Epson International Pano Awards 2023 Winners

#10 Curators Award: Church, Slovenia by Krzysztof Browko, Poland

Epson International Pano Awards 2023 Winners

#11 Nikon Australia Award: Leap out of the back, Western Australia by Jon Vause

Epson International Pano Awards 2023 Winners

#12 Raw Planet Award: Yellow Net, Vietnam by Teo Chin Leong

Epson International Pano Awards 2023 Winners

#13 Special Award: Above the Clouds, Liwa Desert, Abu Dhabi by Spencer Cox

Epson International Pano Awards 2023 Winners

#14 Special Award: Focus, Taiwan by Chang Di

Epson International Pano Awards 2023 Winners

#15 Special Award: Entangled in the Mist by Michael Lees

Epson International Pano Awards 2023 Winners

#16 Special Award: Frayed Ends of Sanity by Blake Randall

Epson International Pano Awards 2023 Winners

#17 Special Award: Zaanse Schans, Netherlands by Obed Garcia

Epson International Pano Awards 2023 Winners

#18 Special Award: Curve Phantom Osaka, Japan by Shuchuan Liu

Epson International Pano Awards 2023 Winners

#19 Special Award: Lines of Nature, Iceland by Markek Biegalski

Epson International Pano Awards 2023 Winners

#20 Open Nature/Landscapes: Robert E Clay

Epson International Pano Awards 2023 Winners


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Chicago outdoors: Far-from-home limpkins and enjoying backyard nature

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Notes come from around Chicago outdoors and beyond

WILD OF THE WEEK

Alan Anderson sent photos of limpkins, including the one above, from an outing on Sept. 29 to get a friend a “life bird” at Chicago Botanic Garden. “Have you seen one of the more than half dozen of them reported in Illinois this fall?” he asked. “(With climate change, we likely will see more.)” Their range reaches into Florida, according to the Cornell Lab of Ornithology (allaboutbirds.org/guide/Limpkin/overview), which also noted, “This bird’s haunting cries, heard mostly at night, are otherworldly and unforgettable.”

WOTW, the celebration of wild stories and photos around Chicago outdoors, runs most weeks in the special two-page outdoors section in the Sun-Times Sports Saturday. To make submissions, email [email protected] or contact me on Facebook (Dale Bowman), Twitter (@BowmanOutside) or Instagram (@BowmanOutside).

DALE’S MAILBAG

“I hope that these photos are worthy of publication. They were all taken in my backyard on the Southwest side of Chicago.” Dominic Wroblewski

A: Not only worthy, but it is that appreciation of the natural world immediately around us that I consider my life’s work. The photo below is one of many he sent.

Two squirrls photographed nose to nose on  a tree on the Southwest Side of Chicago. Credit: Dominic Wroblewski

Two squirrls photographed nose to nose on a tree on the Southwest Side of Chicago.

WILD TIMES

FISH GATHERINGS

Tuesday, Oct. 10: Capt. Doug Kloet, Chicagoland Muskie Hunters chapter of Muskies, Inc., North Branch Pizza & Burger Co., Glenview, 7:30 p.m., chicagolandmuskiehunters.org/meetingschedule.asp

Tuesday, Oct. 10: Barry Jacobson, public affairs officer for the United States Coast Guard Auxiliary, on boating safety, Salmon Unlimited, Thornwood Restaurant & Lounge, Wood Dale, 7 p.m., salmonunlimitedinc.com

Wednesday, Oct. 11: Vince DeMarte (history/evolution of Chaos Tackle) and Brian Skaife (Chaos tackle and using it, if time, he’ll talk cameras), Fox River Valley chapter of Muskies, Inc., Schaumburg Golf Club, 7 p.m.

Wednesday, Oct. 11: Isaac Lakich, National Walleye Tour Angler, “Fall Fishing for Fat Walleyes,” Lake Geneva Fishing Club, Poplar Creek Bowl, Hoffman Estates, 6 p.m., lakegenevafishingclub.com

Thursday, Oct. 12: Eric Esko, of Musky & Pike Dreamers Guide Service, on post-turnover muskie and pike, Riverside Fishing Club, Berwyn Moose Lodge 424, 6:30 p.m., RiversideFishingClub.com

HUNTER SAFETY

Oct. 12-13: Chicago, carryinillinois.com

Oct. 21-22:Mokena, [email protected]

FALL TROUT

Today, Oct. 7: Scheduled opener of early catch-and-release fall trout in Illinois, but may be delayed because of hot water. Check updates at ifishillinois.org

FISH TOUR

Next Saturday, Oct. 14: Tour Root River Steelhead Facility, Racine, Wis., 9 a.m.-3 p.m., https://dnr.wisconsin.gov/topic/Fishing/lakemichigan/RootRiverOpenHouse

MARITIME FUNDRAISER

Oct 26: Maritime folklore and fundraising, Chicago Maritime Museum, Chicago photographer, Barry Butler, and Tall Ships captain, Tom Kastlle host, chicagomaritimemuseum.org/events.html

LAKE MICHIGAN FISHERIES MEETING

Nov. 1 (virtual meeting Nov. 9):Illinois-Indiana Sea Grant’s Lake Michigan meeting, including tracking fish with acoustic telemetry, emerging research on PFAs in Lake Michigan fishes and Indiana DNR fisheries report, Portage Lakefront and Riverwalk classroom, Portage, Ind., 6-8:30 p.m. register at purdue.ag/fall-2023-fisheries



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