Shot of Milky Way rising over Tudor ruins wins national park photography prize

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Shot of Milky Way rising over Tudor ruins wins national park photography prize

A “hauntingly beautiful” photograph of the Milky Way rising over the ruins of a Tudor mansion has won the top prize in the South Downs National Park astrophotography competition.

The image, taken by Richard Murray from Waterlooville, Hampshire, captures the night-time scene at Cowdray ruins in Midhurst, West Sussex, claiming the top prize in the contest which attracted 60 entries.

In September 1793, while it was undergoing repairs and refurbishments for the impending marriage of the 8th Viscount Montague, a devastating fire destroyed most of the property, leaving the ruins that remain.

The competition celebrates the national park’s status as one of only 20 International Dark Sky Reserves in the world, which recognises the region as one of the best places globally to stargaze.

South Downs lead ranger Dan Oakley said of the winning image: “It’s such a well-framed image and shows what the landscape would have been like a couple of centuries ago.

“It’s a great little chocolate box photo of the South Downs.”

Mr Murray, who wins a £100 prize, said: “We were blessed with crystal clear skies and I was lucky enough to be able to capture this shot of the Milky Way rising behind the Cowdray ruins.

“It demonstrates that you don’t have to travel too far from town to enjoy the spectacular dark skies the South Downs National Park has to offer.

“The national park has such a wide variety of beautiful landscapes and buildings to photograph and is truly a special part of the UK, both by day and night.”

Runner-up in the main category, was a shot of the moon rising behind Beachy Head lighthouse, near Eastbourne taken by Andrew Parker, who wins a £75 prize.

Beachy Head moonrise by Andrew Parker claimed the runner-up prize in the South Downs Dark Skyscapes category (Andrew Parker/South Downs National Park/PA)

Mr Parker, who lives in south east London, said: “Despite travelling around the country to pursue my hobby of landscape and astrophotography I still go to the South Downs more than most other places. The skies around Birling Gap are fantastic.”

The judges were wowed by the photography of a toad crossing a road near Cuckmere Haven, in East Sussex, by Peter Brooks from Eastbourne who wins a £100 prize.

Toad In The Road by Peter Brooks won the South Downs Nature at Night category (Peter Brooks/South Downs National Park/PA)

Mr Oakley said: “I like this image because it’s a bit different. It sums up the theme of ‘nature at night’ and really highlights the fragility of nature.”

Mr Brooks said: “I took this particular image to highlight the dangers toads face when migrating back to their breeding ponds.”

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Watch a green comet make its first Earth approach in 50,000 years with this free webcast

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© Starry Night Software
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Comet C/2022 E3 (ZTF) is making its closest pass by Earth, and you can watch it pass by for free without even stepping outside.

On Wednesday (Feb. 1), the comet will reach its closest point to Earth, known as perigee. Comet C/2022 E3 (ZTF) hasn’t been this close in 50,000 years and according to some predictions, it may never be seen again. That makes the close pass this week even more significant, as it could be our last chance to witness this “messenger from the outermost reaches of our solar system.” 

While many skywatchers will be out braving the cold January nights this week to catch a glimpse of comet C/2022 E3 (ZTF), not everyone will have the right conditions, equipment or availability to see it. Luckily, the Virtual Telescope Project is hosting a free online livestream of comet C/2022 E3 (ZTF) at perigee courtesy of the project’s website or YouTube channel. The livestream begins on Wednesday (Feb. 1) starting at 11:00 p.m. EST (0400 GMT on Feb. 2).

Related: How to see the green comet C/2022 E3 (ZTF) visible in the night sky now as it approaches Earth

See Comet C/2022 E3 (ZTF) in Virtual Telescope Project time-lapse

UP NEXT

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C/2022 E3 (ZTF) has already passed by its closest point to the sun and has led to some amazing astrophotography worldwide that shows off the comet’s gorgeous green tail.  

Make sure to try and view the comet while it remains in the night sky, as this might be our last look at C/2022 E3 (ZTF) before it leaves our solar system. Geza Gyuk, an astronomer at the Adler Planetarium in Chicago, said in a statement that for comets similar to C/2022 E3 (ZTF) with highly elliptical orbits that swing them out to the outermost regions of the solar system, “it is very easy for them to have their orbit perturbed thus making them leave the solar system entirely.” 

When it approaches on Wednesday (Feb. 1), the comet will be in the Camelopardalis constellation in the northern skies. While at perigee, the comet will be within 26 million miles (42 million kilometers) of Earth, equal to roughly 28% of the distance between the sun and Earth. 

The comet should remain visible throughout the month and may be visible to the naked eye as a faint green glow in dark sky locations, but will certainly be visible through binoculars or a telescope. 

If you want to see comet C/2022 E3 (ZTF) up close or try your hand at taking your own photos, be sure to see our guides on the best telescopes and best binoculars that can help. Don’t forget to also check out our guides on how to view and photograph comets, as well our best cameras for astrophotography and best lenses for astrophotography to get started. 

Just remember: The amazing images of the comet featuring bright colors and a clearly-defined tail were taken with professional-level equipment and are usually stitched together from multiple long exposures. I caught the comet myself on Friday (Jan. 27) with a pair of tripod-mounted 25x magnification binoculars, and it appeared as a small, misty green smudge located just above Ursa Major. Still, any view of one of these distant messengers is worth it, whether online or in the night sky. 

Clear skies and happy comet hunting!

Follow Brett on Twitter at @bretttingley. Follow us @Spacedotcom, or on Facebook and Instagram.



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Best space pictures of the month: January 2023

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NASA’s Perseverance Mars rover is collecting samples that will be brought back to Earth
and studied for signs of past life. The current plan is for
Perseverance to deliver samples directly to a future lander and ascent
vehicle. But in case that can’t happen, the rover dropped 10 backup
samples in a location within Jezero Crater known as Three Forks. Small
helicopters similar to Ingenuity, which completed its 40th flight this month, could carry the samples back to the lander.

Closer to home, a comet has graced Earth’s skies. Comet 2022 E3 (ZTF)
will make its closest approach to Earth on February 1, and is currently
visible through binoculars or a telescope. Astrophotographers around
the world have captured images of the comet’s stunning green coma.



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Japanese Telescope Captures Image of Mysterious Spiral Flying Over Hawaii — See the Eerie Video

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A Japanese telescope positioned on top of Mauna Kea, a dormant volcano on the Big Island of Hawaii, captured video of an eerie flying spiral in the night sky on Jan. 18.

In the video, a small bright spot appears and slowly gets brighter and starts to dissipate into a spiral before getting small again and disappearing.

The Subaru Telescope — operated by the National Astronomical Observatory of Japan, a research institute — tweeted from their English-language account about its discovery two days later and included a hypothesis as to what caused the mysterious swirl.

“The Subaru-Asahi Star Camera captured a mysterious flying spiral,” reads the tweet. “The spiral seems to be related to the SpaceX company’s launch of a new satellite.”

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SpaceX launched the GPS III Space Vehicle 06 mission on Jan. 18 at 7:24 a.m. from the Cape Canaveral Space Force Station in Florida, according to their mission log. It was later that same day that the spiral was seen in the sky. On their website, SpaceX states it was “the second launch and landing for this Falcon 9 first stage booster.”

According to the Washington Post, this isn’t the first time the Falcon 9 has produced a bright spiral in the sky.

RELATED: ‘Jellyfish Cloud’ Takes Over Sky in Photographer’s Stunning Image of SpaceX Launch

A spiral was captured above Queenstown, New Zealand, in June. Another one was spotted in April, also over Hawaii. Both appearances of the swirling light came after launches of a Falcon 9 rocket, the outlet reported.

A "Mysterious" Flying Spiral over Maunakea 2023-01-18 UT

A “Mysterious” Flying Spiral over Maunakea 2023-01-18 UT

National Astronomical Observatory of Japan

The spirals aren’t the only formations captured after SpaceX launches. Last year, photographer Kyle Morgan of K.Morgan Artistry snapped a photograph of a “jellyfish cloud” left behind after a Falcon 9 launch.

“This morning’s Space X rocket launch 20,000+ kilometers per hour at this stage,” he captioned the image on Facebook. “Photo including the first booster drop that landed on the shortfall of gravitas with Venus and Jupiter under the ‘jellyfish cloud.'”

RELATED VIDEO: The Year’s Most Historic Moments in Space Exploration

Morgan said he took the image on Jekyll Island, the southernmost island of the Golden Isles of Georgia.

“[I] do a lot of astrophotography, I’m always out shooting the Milky Way and my wife actually sent me the information on the launch last minute so I took off to my favorite spot on Jekyll Island to capture it,” Morgan told PEOPLE at the time.



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Samsung Galaxy S23: The Features We Need to See

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The Samsung Galaxy S22 has an upgraded camera that’s better at seeing in the dark, and it has an upgraded aesthetic. But we need so much more for Samsung to blow us away with its Galaxy S23, which is expected to debut Wednesday at Samsung Unpacked.

In particular, I’d like to see longer-lasting batteries, more photographic features, and faster charging that doesn’t require an expensive adapter.

Read more: How to Watch Samsung Unpacked

Samsung leads the smartphone industry, with 21% of the worldwide market in the third quarter of 2022, according to Counterpoint Research. Upgrading core features like the camera and battery could help it maintain that top spot, especially as it faces increased competition from Apple and Google.

Longer battery life for the regular Galaxy S23

Samsung Galaxy S22

The Galaxy S22


Lisa Eadicicco/CNET

Battery life can never be long enough, but the standard-issue Galaxy S device is in particular need of a boost. The 6.1-inch Galaxy S22 generally lived up to Samsung’s claims of all-day battery life, but sometimes just barely. After using it for a month straight, I noticed the battery level dipped roughly to 30% or 40% by 9 p.m., even with the always-on display turned off and the screen’s refresh rate set to standard. That’s enough to get through a work day, but you’ll likely want to pack a charger if you have after-work plans or a long commute home. 

The Galaxy S22 has the smallest battery (3,700-mAh capacity) of the three phones in the Galaxy S22 lineup, and it shows. For example, I was pleasantly surprised when the 6.6-inch Galaxy S22 Plus, which has a larger 4,500-mAh capacity, lasted for about a day and a half when I reviewed it in February. I also had the refresh rate set to high, which typically drains battery more quickly. The Galaxy S22 Ultra, which has a 6.8-inch screen and a 5,000-mAh battery, had similar battery life. 

It makes sense that the Galaxy S22 line’s smallest phone would also have the smallest battery. But I hope Samsung finds a way to improve battery life on next year’s 6.1-inch Galaxy phone, whether it’s through better power efficiency or a larger physical battery. After all, Apple made upgrades to the iPhone 13 Mini that gave it an extra two to three hours of battery life compared to the iPhone 12 Mini. Battery life is the main complaint I had about the Galaxy S22, and addressing that would make the Galaxy S23 an even more compelling choice for Android fans who prefer smaller phones. 

Korean news outlet The Elec indicates that could indeed be the case, as it reports that Samsung aims to increase the Galaxy S23’s battery capacity by about 5%. 

More clever camera features

Samsung S22 and S22 Plus and S22 Ultra compared

From left, cameras on the Galaxy S22 Ultra, Galaxy S22 Plus and Galaxy S22.


Lisa Eadicicco/CNET

The Galaxy S22’s 50-megapixel camera and the Galaxy S22 Ultra’s 108-megapixel camera capture impressively colorful and detailed photos. I only wish there was more you could do with those cameras when it comes to editing and software features.

The Galaxy S22 lineup has shooting options like panorama, night mode, portrait mode, slow motion, super slow motion and Director’s View, which lets you record video using two different lenses simultaneously. Then there’s Single Take, which creates multiple stylized shots with a single press of the shutter button. You can also download the Expert Raw app to get more granular control over photo settings. 

But not much has changed between the Galaxy S21 and Galaxy S22 when it comes to camera features and shooting modes. I’d love to see Samsung take a page from Google, which regularly adds nifty camera tricks that feel practical rather than gimmicky. For example, Google introduced a new feature on the Pixel 7 and 7 Pro called Photo Unblur, which sharpens low-quality photos, even ones taken with an older camera. Photo Unblur builds on Face Unblur, a previous Pixel 6 and 6 Pro camera feature I also appreciate. As the name implies, Face Unblur freezes moving subjects that may otherwise look blurry.

Features like these show that Google is not just thinking about camera quality, but also ways to eliminate everyday annoyances with mobile photography. Many of Samsung’s updates, on the other hand, feel aimed at giving content creators more tools for capturing different types of shots and video clips. 

While the Galaxy S23 likely won’t launch for several more weeks, Samsung is already making enhancements to the cameras on its current Galaxy phones. It added a new feature to the Expert Raw app that helps stargazers take better photos of constellations, similar to Google’s Astrophotography feature for Pixel phones. There’s also a new Camera Assistant app that lets you enable or disable certain features, like a faster shutter or automatic lens switching. 

Faster charging that doesn’t cost so much

Samsung S22 Ultra

The Galaxy S22 Plus (left) and Ultra both support 45-watt fast charging. But you have to purchase an adapter separately. 


Lisa Eadicicco/CNET

The Galaxy S22 lineup supports fast charging of up to 25 watts for the Galaxy S22 and 45 watts for the Galaxy S22 Plus and Ultra. But you have to purchase a separate charger to do so. Samsung charges $50 for the 45-watt charger and $35 for the 25-watt charger, although you can often find them for less through retailers like Amazon and Walmart. In some scenarios, I also didn’t notice much of a difference between the pricier 45-watt charger and Samsung’s less expensive 25-watt charger when powering up the Galaxy S22 Plus, which you can read more about here.

With the Galaxy S23, I’d like to see a more noticeable improvement in charging speeds, as well as more affordable charger options. The OnePlus 10 Pro, for example, offers either 65- or 80-watt fast charging depending on your region, both of which are speedier than what Samsung has to offer on paper. OnePlus also includes a compatible power adapter in the box. 

Samsung and Apple stopped including power adapters in their product packaging to cut down on waste, which is an admirable cause. But I at least wish Samsung would let you choose to include a fast-charging compatible adapter as an option for a discounted price when ordering a new phone, similar to the way it lets you select a storage option or add Samsung Care Plus. 

If rumors turn out to be accurate, the base Galaxy S23 model might have the same 25-watt charging speed as the Galaxy S22. That’s according to Ice Universe, a Twitter account with a history of publishing details about unreleased Samsung products. 

Samsung is already doing a lot right with the Galaxy S22, particularly when it comes to software support and display quality. But as year-over-year smartphone upgrades have become more incremental than revolutionary, focusing on core elements like the camera and battery are as important as ever.



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Sigma 20mm f/1.4 DG DN Art lens – Hands-On Review

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Astrophotography is the answer. The question is, “what does this lens excel at?” I’ve proven it by being able to use it to film the northern lights in real-time, paired with the Sony A7S III. I’ve also tested the L-mount version of this lens with the Sigma FP-L. I have to say that in both instances, I’m sufficiently impressed at base-level, but there’s so much more. This is the Sigma 20mm F/1.4 DG DN Art lens. Let’s dive in.

Sigma have been in the game for over 60 years. Their experience has culminated in the launch of some incredible glass, and this new Art lens in their line-up really packs a powerful punch. This new lens takes everything that Sigma knows about wide, fast lenses and puts it all in one place.

This prime 20mm lens gives a field of view that isn’t unnaturally wide but is wide enough to incorporate enough of a scene to see a lot of features. In real terms, it’s 94.5˚. This perspective makes this lens particularly useful for astrophotography. Especially when we consider the maximum aperture of f/1.4. At the other end of the scale, the minimum aperture is f/16. I’ve found the 11 diaphragm blades create a nice bokeh effect as well as precise movement between aperture values. (Well, as much bokeh you can get with a 20mm lens anyhow).

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The 82mm filter size is fairly common and makes it easy to find compatible filters. I have found this to be a problem with the often-uncommon filter size of other ultra-wide lenses. A lens that I’ve often labeled as my ‘go-to’ for astrophotography is the Nikkor 14-24mm f/2.8, but the bulbous face requires specialized filters. Those are not impossible to get, but they do cost. Sigma have avoided this problem altogether by using a common thread size and flat lens front.

By now, I’ve thrown quite a bit of technical info at you and actually refrained from giving my opinion, so it’s time for me to open up about this lens.

It’s amazing! Honestly, this is an Astro dream. I’ve been looking for the ultimate aurora filming lens for years, and this is it. The whole sky opens up to this lens, flooding the sensor with light from the huge aperture. Even with an APS-C sensor, the lens is still 30mm equivalent.

As someone who regularly shoots in cold conditions, one of my main considerations with lenses is the cold. This lens has a lens heater retainer which allows mounting a heater to the lens. The heater prevents the front glass elements from freezing or suffering condensation. The lens is made from thermally stable composite materials, so the whole thing feels very solid and sturdy. I never checked, but I assume the lens does not contract or expand under changing temperatures either. From what I can tell, it’s a beast that would battle even the most demanding conditions.

Optically, I could not detect any geometric distortion or chromatic aberration. There are 17 elements in the lens, so I guess Sigma were pretty generous with glass.

The switches and rings are easy to operate and feel very deliberate in their mechanisms. Speaking of mechanisms, the autofocus is driven by Sigma’s Hyper Sonic Motor, powering through the entire focus range in less than one second and hitting tack-sharp focus every time.

The Sigma 20mm f/1.4 DG DN Art lens is pretty solid. It weighs in at 630g (22.2oz) for the E-mount version. This isn’t exactly small and light, but Sigma have clearly focused on the quality of the optics here. For what it offers, I wouldn’t really call it ‘heavy’. The images are very sharp.

The wide aperture allows for great focusing even in dark conditions, and although it’s largely up to the capabilities of the camera, this lens goes a long way to help. When I used this lens along with the Sony A7S III to film the northern lights it was really hard to miss focus. In fact, I encountered only user error when focussing. The lens and camera got it right. I often find that autofocus motors make a fair amount of noise, but with Sigma 20mm f/1.4 DG DN Art lens it’s hardly noticeable, and it’s fast.

Photographing the night sky and its features is easy with this lens. It certainly isn’t going to pick out a galaxy, but for wide images of the sky it’s ideal. I’ve used it a lot to shoot the northern lights and even confidently included it in the Ultimate Northern Lights Filming Rig article I wrote recently. The key to aurora photography is to get as much light in as possible to retain the details of the motion of the dancing lights. This needs to be balanced against the available light and the sensor noise created by shooting in the dark. The best way to achieve this is with a wide aperture

I’ve put some emphasis on the fact that this lens is ideal for astrophotography, and rightly so, but it’s actually great for a lot for a lot of photographically demanding situations. While the field of view doesn’t exactly make it sound like a great portrait lens, despite the depth of field sounding great, I found that it creates a great visual effect. The lack of distortion helps retain face and body proportions whilst leaving plenty of space for the environment, all in a linear perspective.

My overall impression of this lens is very good. Comparing it to older variants there are certainly improvements and when compared to similar lenses by other manufacturers, this is my choice. It’s sharp, lightweight and robust. My only criticism is that I don’t like having an aperture ring that doesn’t lock in place. It’s easy to knock the aperture away from where it’s set. Aside from that, I can’t fault this lens. Sigma, keep it up.



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Watch a green comet make its first Earth approach in 50,000 years

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Comet C/2022 E3 (ZTF) is making its closest pass by Earth, and you can watch it pass by for free without even stepping outside.

On Wednesday (Feb. 1), the comet will reach its closest point to Earth, known as perigee. Comet C/2022 E3 (ZTF) hasn’t been this close in 50,000 years and according to some predictions, it may never be seen again. That makes the close pass this week even more significant, as it could be our last chance to witness this “messenger from the outermost reaches of our solar system.” 



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Astrophotography Cameras Market 2023 Size, Share, Trend and Forecast to 2028

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The MarketWatch News Department was not involved in the creation of this content.

Jan 29, 2023 (The Expresswire) —
Pre and Post Covid Report Is Covered | Final Report Will Add the Analysis of the Impact of Russia-Ukraine War and COVID-19 on This Industry.

The “Astrophotography Cameras Market” is one of the sectors that is expanding the fastest, thus it is crucial for players in the market to first do an exhaustive analysis of the sector. The Astrophotography Cameras market research report and industry analysis examine the Astrophotography Cameras sector internationally for the period of time from 2023 to 2028. The Nikon, Canon, Sony, ZWO, QHYCCD, Atik Cameras, Fujifilm, Panasonic, Olympus, Leica are one of the principal market rivals, according to the research.

“Astrophotography Cameras market size is estimated to be worth USD million in 2021 and is forecast to a readjusted size of USD million by 2028 with a CAGR of during review period.”Ask for Sample Report

The market is segmented on the basis of End-user Industry (Individual, Commercial), By Type (Requires Connected Device or Specific Software, No Connected Devices or Specific Software Required), and Geography (Asia-Pacific, North America, Europe, South America, and Middle-East and Africa).

The research also provides a market analysis using various analytical techniques, including Porter’s Five Forces Analysis and PESTEL Analysis. These tools provide an in-depth analysis of the micro- and macro-environmental elements that influence the market’s expansion during the forecast period.

Who are some of the key players operating in the Astrophotography Cameras market and how high is the competition 2023?

Company Information: List by Country Top Manufacturers / Key Players In Astrophotography Cameras Market Insights Report Are:

● Nikon ● Canon ● Sony ● ZWO ● QHYCCD ● Atik Cameras ● Fujifilm ● Panasonic ● Olympus ● Leica

Get a sample copy of the Astrophotography Cameras Market report 2023

Attractive Opportunities In the Astrophotography Cameras Market:

The Global Astrophotography Cameras market is anticipated to rise at a considerable rate during the forecast period, between 2023 and 2028. In 2023, the market is growing at a steady rate and with the rising adoption of strategies by key players, the market is expected to rise over the projected horizon.

According to this latest study, the 2023 development of Third-Party Replacement Strap for Astrophotography Cameras will have huge change from earlier year.

The Astrophotography Cameras market report provides a detailed analysis of global market size, regional and country-level market size, segmentation market growth, market share, competitive Landscape, sales analysis, impact of domestic and global market players, value chain optimization, trade regulations, recent developments, opportunities analysis, strategic market growth analysis, product launches, area marketplace expanding, and technological innovations.

According to our (Global Info Research) latest study, due to COVID-19 pandemic, the global Astrophotography Cameras market size is estimated to be worth USD million in 2021 and is forecast to a readjusted size of USD million by 2028 with a CAGR of during review period. Individual accounting for of the Astrophotography Cameras global market in 2021, is projected to value USD million by 2028, growing at a CAGR in next six years. While Requires Connected Device or Specific Software segment is altered to a CAGR between 2022 and 2028.

Global key manufacturers of Astrophotography Cameras include Nikon, Canon, Sony, ZWO, and QHYCCD, etc. In terms of revenue, the global top four players hold a share over in 2021.

Astrophotography Cameras market identifies the increase in RandD of therapeutic vaccines as one of the prime reasons driving the Astrophotography Cameras Market growth during the next few years. Also, increased disease diagnostic modalities, and increasing research on combination therapies will lead to sizable demand in the market.

COVID-19 / Regional Conflict / Russia-Ukraine War

COVID-19 / Great lockdown has compressed the global economy and with it the manufacturing sector, production, disruption, financial. The report also presents the impact of regional conflict on this market in an effort to aid the readers to understand how the market has been adversely influenced and how it’s going to evolve in the years to come.

TO KNOW HOW COVID-19 PANDEMIC AND RUSSIA UKRAINE WAR WILL IMPACT THIS MARKET – REQUEST SAMPLE

It also discussions about the market size of different segments and their growth aspects along with Competitive benchmarking, Historical data and forecasts, Company revenue shares, Regional opportunities, Latest trends and dynamics, growth trends, various stakeholders like investors, CEOs, traders, suppliers, Research and media, Global Manager, Director, President, SWOT analysis i.e. Strength, Weakness, Opportunities and Threat to the organization and others. Revenue forecast, company share, competitive landscape, growth factors and trends.

What are the major applications and type, of Astrophotography Cameras?

Major Product Types of Astrophotography Cameras covered are:

● Requires Connected Device or Specific Software ● No Connected Devices or Specific Software Required

Major Applications of Astrophotography Cameras covered are:

● Individual ● Commercial

Get a Sample PDF of report @https://www.marketgrowthreports.com/enquiry/request-sample/20284502

The Main Goals of Report Are:

● To examine and assignment the extent of the international market for the market sector. ● To researching the important gamers globally, their SWOT analysis, market value, and market share. ● To identify, describe, and mission market based totally on type, quit use, and geography. ● To take a look at the market advantages, challenges, dangers, and constraints in the world’s principal regions. ● To pick out key traits and variables that are advertising or inhibiting market growth. ● To decide the excessive increase segments in order to have a look at the market potentialities for stakeholders. ● To consider every submarket fastidiously in phrases of its very own boom sample and market contribution. ● To know market possessions, agreements, growth, and the introduction of new merchandise as aggressive advances. ● To strategically discover the essential gamers and completely take a look at their enlargement plans.

Highlights of The Astrophotography Cameras Market Report

Sections in Astrophotography Cameras Market Report:

Section 1 mainly provides an overview of the Astrophotography Cameras market with a focus on the key trends and market definitions and developments.

Section 2 provides information on global trends: Focus on our environment, economic power shifts, growing divergence, and polarization, shifting demographics, and social, cultural, and workplace shifts.

Section 3 analyses the competitive landscape which refers to the nature of competition. The description covers several topics such as the number of companies, company size, their strengths and weaknesses, barriers to entry and exits, and threats of substitutes.

Section 4 focuses on the Report on the Current situation of the market and Aspects of post-COVID-19 Impact.

Section 5 provides an overview of the types and applications of Astrophotography Cameras. It covers the industry, trade, and research findings.

Section 6 shows the Report on Regional Analysis provides a comprehensive overview of the current state of the global economy. The report divides the world into five regions: North America, Europe, Asia-Pacific, Latin America and the Caribbean, and the Middle East and Africa. Each region is analyzed in detail and provides key statistics on economic growth, unemployment, trade, investment, and debt.

Section 7 offers a list of the major market players, together with details about each one’s background, product profiles, market performance (such as sales volume, price, revenue, and gross margin), recent developments, SWOT analysis, and other factors.

Section 8 provides details on the marketing mix which is an effective way to promote a product. The three key elements of the marketing mix are the product, the price, and the promotion.

Section 9 analysis of the entire market industry supply chain, including important raw material suppliers and pricing analysis, analysis of the manufacturing cost structure, analysis of alternative products, and information on significant distributors, downstream purchasers, and the COVID-19 pandemic’s effects.

Section 10 is the section of the report that summarises the key conclusions and arguments for the readers.

What is our Astrophotography Cameras Market report scope?

● This Astrophotography Cameras Market Research Report provides an overview of the global and regional markets to assist in formulating winning strategies. ● It also provides a thorough examination of market interest in Astrophotography Cameras, market expansion, and CAGR projections. ● The global markets are thoroughly broken down by type, region, and application in market analyses.

What are the major regional markets of Astrophotography Cameras in Global, according to the Market Growth Reports report?

Astrophotography Cameras Market analysis, by Geography: Major regions covered within the report: Consumption by Region 2023: –

● North America (U.S. and Canada) Market size, Astrophotography Cameras growth, Market Players Analysis and Opportunity Outlook ● Latin America (Brazil, Mexico, Argentina, Rest of Latin America) Market size, Astrophotography Cameras growth and Market Players Analysis and Opportunity Outlook ● Europe (U.K., Germany, France, Italy, Spain, Hungary, Belgium, Netherlands and Luxembourg, NORDIC (Finland, Sweden, Norway, Denmark), Ireland, Switzerland, Austria, Poland, Turkey, Russia, Rest of Europe), Poland, Turkey, Russia, Rest of Europe) Market size, Astrophotography Cameras growth Market Players Analyst and Opportunity Outlook ● Asia-Pacific (China, India, Japan, South Korea, Singapore, Indonesia, Malaysia, Australia, New Zealand, Rest of Asia-Pacific) Market size, Astrophotography Cameras growth and Market Players Analysis and Opportunity Outlook ● Middle East and Africa (Israel, GCC (Saudi Arabia, UAE, Bahrain, Kuwait, Qatar, Oman), North Africa, South Africa, Rest of Middle East and Africa) Market size, Astrophotography Cameras growth Market Players Analysis and Opportunity Outlook

The Astrophotography Cameras Market report can help to know the market and strategize for business expansion accordingly. Within the strategy analysis, it gives insights from market positioning and marketing channel to potential growth strategies, providing in-depth analysis for brand fresh entrants or exists competitors within the Astrophotography Cameras industry. Global Astrophotography Cameras Market Report 2023 provides exclusive statistics, data, information, trends and competitive landscape details during this niche sector.

Fill the Pre-Order Enquiry form for the report@https://www.marketgrowthreports.com/enquiry/pre-order-enquiry/20284502

With tables and figures helping analyze worldwide Global Astrophotography Cameras Market Forecast this research provides key statistics on the state of the industry and should be a valuable source of guidance and direction for companies and individuals interested in the market.

Major Points from Table of Contents:

Global Astrophotography Cameras Market Research Report 2023-2028, by Manufacturers, Regions, Types and Applications

1 Introduction
1.1 Objective of the Study
1.2 Definition of the Market
1.3 Market Scope
1.3.1 Market Segment by Type, Application and Marketing Channel
1.3.2 Major Regions Covered (North America, Europe, Asia Pacific, Mid East and Africa)
1.4 Years Considered for the Study (2017-2028)
1.5 Currency Considered (U.S. Dollar)
1.6 Stakeholders

2 Key Findings of the Study

3 Market Dynamics
3.1 Driving Factors for this Market
3.2 Factors Challenging the Market
3.3 Opportunities of the Global Astrophotography Cameras Market (Regions, Growing/Emerging Downstream Market Analysis)
3.4 Technological and Market Developments in the Astrophotography Cameras Market
3.5 Industry News by Region
3.6 Regulatory Scenario by Region/Country
3.7 Market Investment Scenario Strategic Recommendations Analysis

4 Value Chain of the Astrophotography Cameras Market

4.1 Value Chain Status
4.2 Upstream Raw Material Analysis
4.3 Midstream Major Company Analysis (by Manufacturing Base, by Product Type)
4.4 Distributors/Traders
4.5 Downstream Major Customer Analysis (by Region)

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5 Global Astrophotography Cameras Market-Segmentation by Type
6 Global Astrophotography Cameras Market-Segmentation by Application

7 Global Astrophotography Cameras Market-Segmentation by Marketing Channel
7.1 Traditional Marketing Channel (Offline)
7.2 Online Channel

8 Competitive Intelligence Company Profiles

9 Global Astrophotography Cameras Market-Segmentation by Geography

9.1 North America
9.2 Europe
9.3 Asia-Pacific
9.4 Latin America

9.5 Middle East and Africa

10 Future Forecast of the Global Astrophotography Cameras Market from 2023-2028

10.1 Future Forecast of the Global Astrophotography Cameras Market from 2023-2028 Segment by Region
10.2 Global Astrophotography Cameras Production and Growth Rate Forecast by Type (2023-2028)
10.3 Global Astrophotography Cameras Consumption and Growth Rate Forecast by Application (2023-2028)

11 Appendix
11.1 Methodology
12.2 Research Data Source

Continued….

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“Astrophotography Cameras market size is estimated to be worth USD million in 2021 and is forecast to a readjusted size of USD million by 2028 with a CAGR of during review period.”

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● It helps to comprehend the potential market value of Astrophotography Cameras market. ● While providing an analytical perspective of the Astrophotography Cameras industry, it gives business strategies with the most recent growth potential. ● The whole competitive environment is described. ● The Astrophotography Cameras market research provides a comprehensive understanding of each related activity.

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It’s your chance to view a comet this week

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What better way to open the new year than by spotting a hopefully bright comet? It is referred to as comet C/2022 E3 (ZTF) and it could be putting on a decent show in northern skies this week.

This will be a great chance to test that new set of binoculars or telescope you may have received for Christmas.

This ice mountain was discovered in March of 2022 by the wide-survey camera operating at the Zwicky Transient Facility. At first, astronomers believed the tiny, distant object was an asteroid. However, it quickly brightened as it passed the planet Jupiter on its way to the inner solar system to round the sun.

At this distance, the sun’s influence begins to react with the comet’s frozen elements, compounds and water ice causing it to sublimate from a solid to a gas. The comet now begins to glow and in most cases forms an ion (gas) and sometimes even a dust tail. Now it was classified as a comet.

The comet appears green in colour and is the result of the breakdown of a reactive molecule called dicarbon and is sporting a faint ion tail only. C/2022 is well placed in northern skies and be seen all night long.

It will be close to Polaris (the North Star) this week. Unlike a meteor that streaks for a fraction of a second as it vaporizes in our atmosphere, comets are interstellar visitors that slowly move against the background stars from night to night and are located millions of kilometres away.

C/2022 E3 (ZTF) closest approach to the sun called perihelion occurred January 12 at 160 million kilometres distance. 

Its closest approach to the earth will occur on Feb. 2 at a safe distance of 42 million kilometres.

There is a finder chart on my website: www.wondersofastronomy.com.

In general, comets are unpredictable. Even though calculations suggest it will be visible in the dark countryside on a clear moonless night, it could easily fizzle away like Comet Kohoutek back in 1973.

Expectations of being the brightest comet of the 20th century and given the name “Comet of the Century”, Kohoutek was bright but much dimmer than predicted. As my long-time friend and comet hunter David Levy says, “Comets are like cats: they have tails, and do precisely what they want.”  

Throughout any given year, amateur astronomers can observe a handful of comets but only through telescopes as they are too faint to be seen just by looking up.

Hopefully, C/2022 E3 (ZTF) will not disappoint and allow you to see this particular visitor that is estimated to have last returned to our neck of the cosmic woods some 50,000 years ago.

This was the period of the early homo sapiens. Unfortunately, the Neanderthals became extinct some 10,000 years after the last approach of this comet.

This comet is not expected to be as great as Comet Neowise back in July 2020. However, you still have a chance to see a somewhat bright space tourist that will return 50,000 years from now.  

You can also try your hand at wide-angle astrophotography with a DSLR camera, cable release and a sturdy tripod. If you do not own an automated telescope, there are good camera trackers on the market that allow you to take long one or two-minute exposures and still have pinpoint stars.

The colourful comet would register on the camera’s CCD chip. Experiment with the manual exposure settings, after all, pixels are free.

Clear skies,

Known as “The Backyard Astronomer”, Gary Boyle is an astronomy educator, guest speaker, monthly columnist for the Royal Astronomical Society of Canada as well as a STEM educator. He has been interviewed on more than 55 Canadian radio stations as well as television across Canada and the U.S. In recognition of his public outreach in astronomy, the International Astronomical Union has honoured him with the naming of Asteroid (22406) Garyboyle. Follow him on Twitter: @astroeducator, Facebook and his website: www.wondersofastronomy.com



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Green comet C/2022 E3 (ZTF) will be closest to Earth on Feb. 1

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On Wednesday (Feb. 1) a comet that has not visited the Earth since the last Ice Age and the time of the Neanderthals will make its closest approach to our planet, or perigee. 

Excitingly, the comet C/2022 E3 (ZTF), which last passed through the inner solar system around 50,000 years ago, will be at its brightest during this time and may even be visible to the naked eye under the right conditions. The comet should be observable for days as it approaches our planet and then recedes on its way to the outer solar system. 

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