Washington State Landscape & Nature Photography

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Washington is the culmination of the geological and natural majesty of the Pacific Northwest. With its high mountains, primeval forests, and status as a gateway to the wilds of Canada and Alaska, Washington exists as a national and spiritual frontier for people across the country. For landscape and nature photographers, Washington is something of a mecca, offering spectacular artistic opportunities for all styles and genres. With its rugged coastlines, frigid peaks, alpine meadows, winding canyons, and abundant wildlife, there is something for every taste and persuasion. While one could never see the whole state in a single trip, the list below gives a taste of what Washington has to offer and should convince you why a visit to the Evergreen State is well worthwhile.

The Sweet Smell Of Summer

Create a window into nature with Aaron Reed’s limited edition photography print, The Sweet Smell of Summer, from his Mountains & Meadows Photography collection. Order yours today! Fine Art Limited Edition of 50.

The Washington Coast

The Washington coastline has drawn admiration and awe from artists and tourists across the world, and there’s a good reason huge swaths of it are protected within the borders of Olympic National Park. Endless beaches of smooth grey stones run into groves of dark fir and cedar crisscrossed with secret hiking trails and campsites. At places like Rialto and Ruby Beach, sea stacks form natural islands with arches and rooftop gardens stretching all the way from the foaming surf to the horizon. Many of these beaches bear the brunt of the Pacific storms, and the warped silver sculptures of driftwood the size of eighteen-wheelers regularly wash up on shore, creating a beautiful and strange tableau of natural ruins.

Majestic Mountains of Washington

In opposition to the rhythmic fury of the ocean are the far and foreboding peaks of Washington’s two mountain ranges. To the west stand the Olympic Mountains, the secret peninsular refuge of wild bears, mountain goats, and old growth cedar. Though the Olympics may not stand as tall as ranges like the Rockies or the Sierras, drive up to Hurricane Ridge and you’ll experience a view like no other, with 360 degree panoramas of snow capped peaks and deep verdant valleys of hidden rivers and untouched wilderness.

To the east rises the northern terminus of the Cascades. What begins with Mount Shasta in California far to the south culminates in the volcanic towers of Mount Rainier, Mount Baker, Mount Saint Helens, and the glacial wilds between them all. In North Cascades National Park, the turquoise waters of Diablo and Ross Lake are surrounded by ancient forests rising up to mountainsides of lupine and scarlet paintbrush and finally crowned by a maze of ice, heather, and bare rock. It’s a sharp boundary between beauty and survival, drawing in climbers, hikers, and artists alike.

Eternal Beauty

Create a window into nature with Aaron Reed’s limited edition photography print, Heaven, from his Mountains & Meadows Photography collection. Order yours today! Fine Art Limited Edition of 100.

The Five Forests of Washington State

Washington has the greatest tree coverage of any state on the West Coast, and is home to five national forests: Colville, Gifford Pinchot, Mount Baker-Snoqualmie, Okanogan-Wenatchee, and Olympic. The forests of Washington are denser than in other places in the western U.S., making them difficult to navigate without a trail, but protecting unspoiled beauty all across the state. The Hoh Rainforest, on the western slopes of the Olympic Mountains, is especially of note for being the wettest place in the contiguous United States. Giant maples hung with tapestries of emerald moss guard the upper reaches of the Hoh River, a major migration route for steelhead and king salmon. In winter and late summer, lucky visitors might get a chance to see the silvery-red fish fluttering up the lazy stream to their natural breeding grounds deeper in the valley beneath Mount Olympus.

The Sentinels | Abstract Photography | Aaron Reed

Wispy receding fog dances among the evergreens inside Mt Rainier National Park in Washington. Fine Art Limited Edition of 50.

Puget Sound

From an aerial perspective, the whole of Washington State appears split in two—a huge body of water separating the Olympic Peninsula from the rest of the state. This dividing line is known as Puget Sound, and runs north from the capital of Olympia until it hits the Strait of San Juan de Fuca and the marine border with Canada. Washington operates a number of car and passenger ferries which move down and across the sound, and taking a ride on one of them offers spectacular views of the mountains to the east and west and the best sunsets to be found anywhere in the state. The sound also offers easy access from Seattle to the more scenic areas near the coast.

Combustion

Seattle (/siˈætəl/ (About this soundlisten) see-AT-əl) is a seaport city on the West Coast of the United States. It is the seat of King County, Washington. With an estimated 744,955 residents as of 2018, Seattle is the largest city in both the state of Washington and the Pacific Northwest region of North America.

Islands of Washington State

Spread within Puget Sound are scores of islands, ranging in size from Dinner Island, with scarcely enough room for a large house, and Bainbridge Island, a major commuter hub for nearby Seattle. Each group of islands has its own personality, from the suburban getaways like Vashon and Bainbridge in the south to the quaint farmlands and private beaches of the San Juan Islands in the north. Most of these islands are only accessible by ferry, but it’s well worth it to spend a day and see some of the less explored insular wilds of the state.

Wild Rivers of Washington

With Washington’s high mountains and the bustling waterways of Puget Sound, it should come as no surprise that the state is home to a number of major rivers. At the border with Oregon is the mighty Columbia, carving through its eponymous plateau and making way for a collection of small towns, swimming holes, and majestic cliffs. To the north, the Skagit emerges from the redoubts of the Cascades before being dammed to create the brilliant blue waters of Ross Lake which power Seattle to the south. The Olympics are home to numerous runs of cool, clear water, from the Sol Duc and the Hoh to the Quinault, the recently freed Elwah, and many more. Each offers splendid hiking and ample opportunities to see and hear the mountain snow gradually making its way to the sea.

Tumble Rumble Ramble
Fine Art Limited Edition of 50 – A fine art limited edition print titled Tumble Rumble Ramble photographed in Tumwater Canyon near Leavenworth, Washington.

Washington Waterfalls

With rivers and mountains come waterfalls, and many spectacular cascades can be found across the state. Most famous of all are Snoqualmie Falls, the iconic landmark from the opening credits of the show Twin Peaks where visitors can watch tonnes of rumbling water plunge 268 feet into a deep pool below. Panther Creek Falls, in Gifford Pinchot National Forest, is a huge fan of white water flowing over a fountain of bright moss and black stone. At Palouse Falls, in eastern Washington, the Palouse River makes a sheer drop into a huge circular pool, throwing up rainbows throughout the day. There’s a trail to get down to it, but it’s considerably steep and narrow, and hikers take it at their own risk.

SkyFire

Elevate your home with Aaron Reed’s limited edition photography print, Skyfire, from his Newest Work Photography collection. Order yours today! Fine Art Limited Edition of 50.

Canyons of The East

As part of the Pacific Northwest, Washington is often associated with evergreens, crashing surf, and high mountain peaks. However, to the east of the Cascades, this classic image is nowhere to be found. Instead, visitors encounter the “scablands,” a vast region of desert prairie carved through by deep canyons reminiscent of southern Utah or Arizona. The result of glacial erosion and the slow journey of turbid rivers, places like Sun Lakes-Dry Falls State Park offer an incongruous but intriguing view of a lesser-known side of Washington State.

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This list is only a highlight reel of Washington’s scenery. The true beauty and majesty of the state comes from driving along the lonely evergreen highways, hiking through the flowered meadows, and hearing the roar of the Pacific through the cedars. Few places in the U.S., or even in the world offer such lush and full wilderness, and there’s good reasons photographers have been drawn here year after year and decade after decade.

On Earth, As It Is In Heaven | Mountain Photography | Aaron Reed

Elevate your home with Aaron Reed’s limited edition photography print, On Earth As It Is In Heaven, from his Newest Work Photography collection. Order yours today! Fine Art Limited Edition of 100.

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A DIY Equatorial Mount Using Harmonic Drives

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As an amateur astrophotographer will tell you, you just don’t get to capture the really interesting objects without spending a ton of money on some decent pieces of kit. Telescope aside, there really is a surprising amount of complexity, weight, and associated costs with the telescope mount alone, let alone one that is capable of any sort of programmable tracking. [Alan (Jialiang) Zhao] clearly wanted to up their game, and having suffered some of the shortcomings of their Sky-Watcher HEQ-5 pro Equatorial mount decided to go ahead and build an open-source mount, Alkaid, which hopefully works a bit better for them.

In simple terms, the difficulty of photographing an extremely dim, distant object (or one that is larger but diffuse) is that the camera sensor needs to spend a significant amount of time signal-averaging, to gather enough lightSheet of parts freshly water cut from aluminium plate for anything to be seen at all, through the noise. But, this ball of rock we sit on is rotating constantly, so the only solution is to track the object of interest, to compensate. This is referred to as equatorial tracking, and allows the rotation of the Earth to be compensated for during a long exposure.

The design of each of the two axes revolves (sorry!) around the use of a NEMA-17 stepper motor with a 27:1 planetary gearbox, driving into a harmonic reducer gearbox. Harmonic drives (aka strain wave drives) are pretty neat, working on the principle of a fixed, but circularly distorting ring gear that transmits torque from the inside surface to the outside, with almost no backlash. They are expensive parts, but for a super smooth movement, this is what you want. The huge output torque they allow, meant that [Alan] was able to build a mount for a heavy telescope without any counterbalances. Structurally, the whole thing is constructed from 10 mm thick aluminium plates that were cut with a waterjet and subsequently milled to finish.

On the electronics side, a custom PCB was produced, with a pair of TMC2130-based stepper drivers, controlled by a teensy 4.0. The simple design was constructed with Eagle PCB, and can be found on the Alkaid project GitHub, together with details of the frame and a suitable copy of the OnStep telescope controller firmware. Some 3D-printed side panels hold the electronics in place and box-in the internals giving the mount a tidy. kind of industrial look. One important metric for any such mount, is the total weight, which [Alan] reports as being around 5.5 kg which is less than half that of an HEQ-5 mount, without its counterbalances. Hopefully, it is heavy enough to dampen out any vibrations transmitted from the tripod, but testing will prove that one way or the other.

Too complex? Not enough time to build? How about a barn-door tracking mount? We’ve also seen a Raspberry Pi-based star tracker featured as part of the 2016 Hackaday Prize.

Thanks to [Buckarooooo] for the tip!

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‘Abandoned Kentucky’ book preserves state history through photography

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abandoned kentucky book


© Provided by WLKY Louisville
abandoned kentucky book

Three Kentucky men are preserving the state’s past through photography.

They’re bringing history to life in a new book called “Abandoned Kentucky,” using cameras and drones to capture abandoned properties across the Commonwealth.

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The book combines words and images to tell the story of long-forgotten locations like the former Merchant’s Ice and Cold Storage Tower in Smoketown.

Award-winning photographers and historians Sherman Cahal, Michael Maes, and Adam Paris traveled thousands of miles across the state to photograph a variety of vacant properties including homes, schools, and cemeteries.

They said the goal of documenting them is to show readers there is more to these sites than what meets the eye.

“We hope that people at least take away from the book that there is beauty in decay, and that there is more behind these walls than what people might envision,” said Cahal, who lives outside of Ashland.

Maes is from Louisville, and believes people are genuinely curious about the mystery behind abandoned properties.

“People try to put those pieces together to tell the story, and if you can do that with your photographs I think a lot of people will respond to that,” he said.

According to the photographers, each page of the book is designed to preserve the memory of a different historical site in case it is torn down in the future.

“What you see today, might not be here tomorrow,” Cahal said.

That is why they believe documenting Kentucky’s history is so important.

“I hope the book gives people an interest and inspiration to just remember the history of where we live,” said Paris, who lives in Owensboro.

All three photographers encourage people who read the book to venture out and find the beauty in the abandoned.

Abandoned Kentucky is available at local bookstores across the state, and is sold online by Amazon and Barnes & Noble.

READ THE FULL STORY:‘Abandoned Kentucky’ book preserves state history through photography

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Special Holiday Exhibit and photography on display at the Art Center

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Nov. 10—New Exhibits Opening

“Colossal and Intimate: Nature, Abstraction, Imagination Through the Artist’s Lens” features the photography of Artist Member Laura Davis.

“Beauty is hidden in plain sight. My work is a joyful interpretation of the divine details which surround us. Reflections in dewdrops, peeling paint, beetle paths, wood grain, and patterns in natural or human-made structures are captured and highlighted by my lens.” (Laura Davis, Artist Statement)

In her visual art, she notices details, often overlooked by others. For the title of the exhibition “Colossal and Intimate: Nature, Abstraction, Imagination Through the Artist’s Lens,” her inner wordsmith provides the choice of “colossal” for macro, and “intimate” for close-up.

She sees the abstraction which surrounds us, in exquisite compositions, with symmetrical or asymmetrical balance, fractal patterns, spirals, and flower petals following Fibonacci sequence, Sacred Geometry, and the Golden Ratio.

The act of creating leads to stories: beetle’s lairs, walls, and creative practice, The Beetle’s Way. Biophilic collage, tangled with Celtic knots. Mirrored photographs become mandalas. Compositions are created by the simple act of framing, or by detailed, organic journeys through line, shape, form, color, and texture.

As a sculptor early in her art making pursuits, earning a BFA from the Kansas City Art Institute, she explored shadow and movement, image projection interacting with fabric in site-specific installations.

She earned an MFA in the Art Media Studies program in the School of Art at Syracuse University. Pattern, movement, and projection of light informed her video productions. Cutting edge video image manipulation tools, in its infancy in commercial television, was available for experiment. One of the pieces which came out of this period was “You Never Left,” winning a national award in Experimental Video from the American Film Institute.

She was hired at the East Carolina University School of Art to develop elective courses in video art. During those seven years she began to integrate traditional media, such as works on paper and gels applied to acetate, into her video productions. She created large works on paper, which were exhibited in a solo exhibition at the Greenville, North Carolina, Museum of Art.

Upon her return to her home state of Colorado, she began to explore photography, especially macro close-up imagery capturing the color, texture, and pattern of Mother Nature’s palette. Her digital collage uses photography interwoven with patterns and knots, a pursuit she has been exploring for over a decade. The advent of digital cameras, and the explosion of accessible, affordable, and easy to use digital tools, has enabled her abstractions and digital collage. Her “straight” photographs capture details, textures, and pattern from our surroundings, directing our attention to, and celebrating, the patterns that surround us in the natural world.

Her portfolio of large scale painted works on paper from North Carolina was included as part of her application to Decorate Utility Boxes (DUB) in Estes Park, Colorado, in 2018. She was one of the five artists, all women, chosen to paint the boxes in 2018. Her two boxes are behind Kirk’ s Fly Shop on the Riverwalk, just east of the new Women’s Monument.

2022 was her first year participating in the Estes Park Studio Tour, founded and funded by working artists in our community. She was juried into artist membership at the Art Center of Estes Park in 2018. Much of her work is also available printed in various formats including wearables, jigsaw puzzles, and yoga mats. www.lauradavisartstudio.com

“Special Holiday Exhibit” features the photography of Founding Artist James Frank and Invited Artist Lydia Pellow, potter.

James Frank: Being from northern Ohio and growing up along the banks of Rocky River, I became familiar in my early years with forest, stream, and things wild, all cultivating a love of the outdoors and a passion for all things in nature. Little did I know that the river I often frequented would be linked by namesake to the mountains I roamed later in life.

After a single visit the decision to move to Estes Park and the Rocky Mountains was easy. The journey was made in 1978 when Estes Park became my home for what now amounts to more than 40 years. I met and married my wife, Tamara, near the alluvial fan in Rocky Mountain National Park in September of 1988. In the mid-1990s we adopted our daughter Claire. Family and a home in these sacred mountains are more than I’d ever dreamed they would be.

I became interested in art at Doane College during several art appreciation courses. There were friends at school who were musicians and played in bands, so my interest in musical and visual arts was growing in leaps and bounds. One of the two main reasons for wanting to live near Rocky was to nurture my love of photography to begin a career involving capturing moments in nature and the world around me that told a story and hopefully inspired not only attention but also happy memories.

My wife and I as business partners have owned a front range postcard company, and two galleries based in Estes Park. For a decade we also owned and published the local magazine Estes Park Vacationland.

From the very beginning and across all these years my photography was catalogued and licensed for publication through James Frank Photography and a handful of agents both national and international. My work has been widely published in books about Rocky, Colorado, and the American West. Through owning and operating galleries, a niche in fine art photography blossomed and is currently the emphasis of my photographic work and business. My art photography is represented by Aspen and Evergreen Gallery in Estes Park and at my website, jamesfrank.com.

Lydia Pellow: I started taking pottery classes in 1976 in Colorado Springs, but it wasn’t until my teacher, Jake Anderson, offered me an apprentice position that I began learning the really hard parts of making pottery — mixing glazes, loading kilns, firing pots, and making money from my art.

During my career I have studied with many famous potters — Daniel Rhodes, Paul Soldner, Tom and Elaine Coleman, Jim and Nan McKinnell, Steven Hill, and others — primarily in hands-on, workshop-type settings. I have been passing on what I’ve learned to my own students since 1977, and I love to share my passion for the creative artistry that is pottery.

The Boulder Potters’ Guild, which I joined in 1986 and am currently the president of, has been invaluable as an avenue for me to teach and share with other amazing artists. The Guild has been an active nonprofit for fifty-three years, is a Tier III SCFD organization, and is dedicated to supporting artists and giving back to the greater community. I also founded an artists’ co-op in 1989 on the Pearl Street Mall called Handmade in Colorado.

Functional pottery is very important to me. Using a one-of-a-kind piece of pottery made by a fellow human being is truly a joy! I like to put “messages” on the bottom of some of my pots. I imagine someone washing it with care (although all my pieces are dishwasher safe), seeing my message, and smiling. All of my pots are also microwave safe and lead free.

I am influenced in part by Japanese pottery and love their concept of Wabi Sabi (“the elusive beauty of imperfection”} in life as well as in art. I invite you to feel my joy in the pottery I’ve create.

Opening Reception

November 11, 5 — 7 p.m.

Opening Weekend Door Prize

“Summer Serenity” Photography 11.7″Wx16.5″ H giclee print donated by Laura Davis.

The public is invited to enter for this Door Prize from 11 a.m. Friday, November 11 to 5 p.m. Monday, November 7, at which time a name wil be drawn and the winner notified

Also on display in the gallery are the outstanding work of the other Art Center artist members, including other works in oil painting, watercolor, pastel, jewelry, ceramics, charcoal, graphite, glass, wood, sculpture, fiber, photography, printmaking and mixed media.

The Art Center is open 11 a.m. — 5 p.m. Friday through Monday.

Art Class in November

3D Zentangling® Layering: a Pretty Porcelain Mug with Annie Reiser. November 19, 1 — 3 p.m.

Art Center Members: $27. Non-Members: $30.

Get a start on your holiday gifts. Nothing is more special than something created by you, like this lovely and unique cup. Annie Reiser, certified Zentangle,® (CZT) teacher will share her experience with tangling on 3-D objects as you decorate a beautiful mug with your favorite tangle patterns or copy Annie’s design. She will tell you how to make it permanent for handwashing (not dishwasher-safe). You may also explore adding color to your designs with porcelain paints that Annie will share. All levels and kids welcome.

Materials: A kit is available to buy (directly from the teacher on the day of class) for $7. (The kit will include a plain white porcelain mug, 1 black Dual-tip Identipen from Sakura, a piece of chocolate, and handout.)

Important Note: If you decide not to purchase the kit, you will need to bring a plain white mug and a black dual-tip Identipen marker.

Teacher will provide: Colored porcelain paint pens to share, rubbing alcohol or fingernail polish remover, Q-tips, cotton pads, solvent blender markers to share.

All Students Should Bring: Sketchbook and pen to take notes.

Call For Entries

“The Magic of Masks” — Some Mardi Gras Fun in Estes Park

The Art Center of Estes Park would like to invite you to participate in our community mask challenge! All you need to do is pick-up your 8″x10″ canvas and create a mask that will fit on that canvas. Entry fee $20. Only one canvas per person.

Winter is coming and this is a great time to engage your creativity and share your results for Mardi Gras fun in February! Limited number of canvases are available!

—Any age 5 to 105 can enter.

—All masks must be for sale …range $20 to $150. You’ll receive 60% of the sales price.

—Each canvas will come pre-drilled with wire and hooks for hanging, you can choose your preference horizontal or vertical orientation. Title card/price form taped to back of canvas.

—Any media is fine- 2D painting, collage, or 3D… as long as it fits on the canvas and can be hung on the wall. Just be certain that any dangling ribbons, feathers etc. do not extend more than 1″ off the canvas.

—Exhibit: Saturday, February 18 to March 13, 2023

—Opening Reception: Saturday, February 18, 2-4pm

—Completed Masks delivered by February 11,12,13, 2023 (Sat-Mon) with completed Title Card/Price Form.

—Prizes will be Awarded!

Entry form and canvas can be pick-up daily. Limited number of canvases available!

Satellite Exhibits

A new exhibit is now on display at the Estes Park Health featuring Pat Greenberg and Diane Visinstainer. VERT and Snowy Peaks Winery has a number of Art Center artists on display. John Long is on exhibit at US Bank.

(c)2022 Estes Park Trail-Gazette, Colo. Distributed by Tribune Content Agency, LLC.

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Cygnus from the Pelican to the Veil Nebula – David Lane Astrophotography

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Cygnus Pelican to the Veil

Cygnus Pelican to the Veil

 

Cygnus is such cool area of the sky. There are so many cool areas of Hydrogen Alpha Emissions (called Ha) in this region. These are that areas you see as pink in the image. The HA emission is 656 nanometers which is a bit above the color red on the light spectrum. Here a bit from Wikipedia on H-Alpha emissions.
H-alpha (Hα) is a specific deep-red visible spectral line in the Balmer series with a wavelength of 656.28 nm; it occurs when a hydrogen electron falls from its third to second lowest energy level. H-alpha light is important to astronomers as it is emitted by many emission nebulae and can be used to observe features in the Sun‘s atmosphere, including solar prominences and the chromosphere.
H-Alpha emissions are typically emitted by dense nebulas which are the star-forming regions of galaxies. Trillions of tons of dust and remnants of supernova explosions gather together like a snowball rolling downhill slowly gathering more and more material until gravity compresses the material to the point it heats to ignition. Then in a massive explosion that jets out leftover material and creates a Herbig-Haro object that is a protostar. 
All the pink areas and dark dust areas are stars in evolution, from a clump of dust to the largest star. All represented in a single picture.
Enjoy! Plus check out the cool way to focus at night I created too!
EXIF: 85mm f2.2 105 x 90secs, ISO 1800

 



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BOOM Fails to Pay Photographers Inherited from its Acquisition of LemonOne

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Boom LemonOne

Tech startup BOOM, which said it wanted to be the “Amazon for photography,” has allegedly failed to pay photographers that it inherited from its acquisition of LemonOne due to financial difficulties.

What are BOOM and LemonOne?

BOOM is a Milan-based tech startup that found early success due to its proprietary technology that allowed companies to purchase photos affordably on a global scale. This technology — which was the basis of a large $7 million investment in 2020 –is based on artificial intelligence and machine learning and allows Boom to supposedly trim down a photographer’s work to the “bare essentials” and handle everything else, from logistics to post-production.

LemonOne was a platform that intended to provide benefits to both photographers and companies. Using its network of professionals and internal technology, it matched companies with photographers to book shoots.

This past January, BOOM purchased LemonOne and the two former competitors became one company. Along with LemonOne’s team, Boom also acquired its network of photographers.

In the last week, PetaPixel became aware of a growing number of photographers who had not been paid by BOOM/LemonOne. Some of these disgruntled photographers have made their opinions known in reviews to LemonOne on Google, while others spoke to PetaPixel directly to air their grievances.

This week, PetaPixel received confirmation that the issue was not isolated to just a few photographers and that, unfortunately, a solution to the problem was not coming soon.

Financial Difficulties

In an email sent on November 9 to LemonOne photographers and seen by PetaPixel, LemonOne’s founders Lorenz Marquardt and Maximilian Schwahn explain what happened in the months after their company’s acquisition.

“Earlier this year, we wanted to take the next big step towards that vision and partnered with BOOM, our former competitor from Italy. As a result, we agreed to a deal for BOOM to acquire LemonOne and in the process, Lorenz and I relinquished our previous responsibilities as founders of LemonOne to the Italians and took on responsibilities in Italy instead,” the cofounders explain.

“Unfortunately, the world has changed in the meantime, with an emerging economic crisis, a war in Ukraine and continued Corona restrictions. Because of this, BOOM, contrary to expectations, was not able to get fresh money from investors and was therefore forced to cease operations of the previous LemonOne platform. In the course of this, all previous LemonOne team members were fired — including Lorenz and me. To our dismay, we have also heard from many photographers that BOOM has stopped paying outstanding invoices.

“In summary, the last few weeks must have been at least as frustrating and painful for you as they were for us.”

Backing up this statement, LemonOne’s website and URL are no longer active and instead reroute to Boom’s website.

The LemonOne cofounders say that this situation goes against everything they personally wanted to achieve with their photography platform and they are working with a provisional insolvency administrator in order to find a solution for photographers, editors, as well as for our customers of what was LemonOne.

“In concrete terms, this means that we can now initially carry out and pay for photo shoots again within the framework of the provisional insolvency proceedings. This means that the provisional insolvency administrator has announced that he will agree to payment for the shoots from 1/11/22 in order to secure our continued existence for the time being,” the email continues.

“Unfortunately, this also means that payments for previous services, including shoots from September and October, must be legally withheld by the provisional insolvency administrator until the insolvency proceedings are concluded. Only then can a distribution be made. The court-appointed preliminary insolvency administrator will contact you again in regards to this.”

The photographers that PetaPixel spoke to fall into that September and October timeframe, which means it does not seem likely that they will be paid for the jobs they were hired to complete for some time as the legal process moves forward.

BOOM did not respond to request for comment. Boom’s Facebook and Instagram accounts have also been deactivated.



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Ground-breaking exhibition explores pioneering women photographers and filmmakers in early 20th Century Scotland – The City of Edinburgh Council

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Glean: Early 20th Century women filmmakers and photographers in Scotland

12 November 2022 – 12 March 2023

City Art Centre

Opening this Saturday (12 November) at the City Art Centre, Glean, features 125 photographs, eight films and 35 related artefacts by 14 women who worked in Scotland in the early 20th century.

The work is drawn from 17 archives predominantly from Scotland, ranging from Galloway to Shetland. This exhibition aims to show how the women responded with their cameras to life in Scotland’s rural communities, cities and beyond. It is the first time their work will have been seen together, and it uncovers a previously untold story within the history of Scottish photography and filmmaking from this period. These women present different accounts of Scotland, covering both rural and city places and communities. The exhibition will show the breadth of their photography and filmmaking, offering a critical analysis of their work.

The exhibition groups the work under four themes: nature, landscape and travel looks at the ways the women were keen observers of nature and landscape, including working the land. Capturing Scotland shows how the women captured the shift from traditional to modern life in both urban and rural contexts. Recording Community looks at the works of two of the women in particular, Margaret Fay Shaw and Dr Beatrice Garvie, who lived for long periods of time in the communities they were recording. Women and Society looks at how, as photographers and filmmakers, they portrayed the role of women in rural and urban societies.

From rural Scotland, we see a portrait of Shetland from Jenny Gilbertson; Margaret Fay Shaw’s portraits of sisters Màiri and Peigi MacRae and their life in the small village of North Glendale, South Uist; to the wanderings of M.E.M. Donaldson in her walks with her camera across the Highlands and Islands of Scotland. In a time where islanders and highlanders were represented purely as ‘type’, the work of these women presents them as real people and equals, an intimacy afforded by living in their communities over a long period of time. Through their lens we can also glimpse the issues of the time, from the recording of protest marches by Helen Biggar and Christina Broom, to the housing conditions of the lower classes through Ruby Grierson and the interwar years in Marion Grierson’s films. Rural and city work, industry and trade are represented in particular by Violet Banks, Margaret Watkins, Margaret Fay Shaw and Jenny Gilbertson. Isabell Burton MacKenzie was The Highlands Home Industry travelling organiser from 1911-14. Using a Kodak Vest Pocket camera as an aide memoire, she visited the homes of islanders involved in craft, to encourage them to sell their work directly through exhibitions on the mainland through The Highlands Home Industry initiatives. Dr Beatrice Garvie, who was the medical doctor for North Roaldsay, Orkney, for 15 years, recorded the work and significant community events in the island.

The exhibition alludes to the different contexts the women were working in, from those who were independent to those working in or with industry. This was, of course, during a period when only some women over 30 had the vote in 1918, with all women over 21 being granted the vote in 1928, the early women photographers and film-makers were forging a different path to that expected of their gender. For example, Banks and Broom sustained their own commercial photography studios, whilst the Grierson sisters worked through their brother documentary maker John Grierson’s national government and industry financed film initiatives.

The exhibition curated by Jenny Brownrigg, Exhibitions Director at The Glasgow School of Art, is a partnership project with City Art Centre. There is a programme of events accompanying the exhibition which brings together other researchers, gallerists and archivists who have championed the work of these women.

Culture and Communities Convener Cllr Val Walker said:

Glean promises to be an empowering exhibition that looks back on the wonderful work of female photographers and early filmmakers who were creating an important legacy in a male dominated field. The women featured played a huge part in the photography history of Scotland and Glean invites viewers to find out more about these inspiring women and it’s fantastic to see the accomplishments of these extraordinary practitioners.

City Art Centre Curator, David Patterson said:

The City Art Centre is delighted to be staging this exhibition in partnership with Glasgow School of Art Exhibitions Director, Jenny Brownrigg. We were really intrigued by Jenny’s original proposal to tell the story of these pioneering women, and to bring their work to a wider public. The proposal also fitted so well with other photographic exhibitions being staged at the same time, providing a national and historical context to the two other displays which have a definite Edinburgh focus. We are confident that visitors will find the exhibition of real interest, as well as the accompanying events programme which enables a deeper exploration of the work of some of the artists.

Jenny Brownrigg, the curator of ‘Glean’ said:

I am delighted to be working with City Art Centre for this exhibition and am grateful to all the lenders. I hope that the exhibition shows the women’s different motivations for making their work. Seen together, their photography and films show different stories about Scotland.

 

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Improve the performance of PixInsight with swap file storage

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There is an easy way to increase the performance of PixInsight by optimising the swap file storage. I’ll explain a bit more about what it is and what it does, along with my personal tests and results in this article.
For those who are just interested in the improvement I’ll start with the short instruction what you’ll need to do.

Add Swap storage directories

In PixInsight, go to Edit -> Global Preferences. This will open up the Preferences window. In this window go to ‘Directories and Network’. You’ll see a window similar to the one shown below:

On the right hand side of the window you see a list of ‘Swap storage directories’. By default it will probably show something like ‘/tmp’. Now click the ‘Add’ button and add another (or the same!) directory. When clicking ‘Add’ it will open up the file browser where you can select a temp directory.
Repeat this a few times until you have between 4 and 8 directories listed.
Now your done!

If you’d like to understand what you just did and learn how you can further improve the swap performance, just read on below.

Swap file storage

PixInsight will use a lot of so called ‘swap storage’. This means that PixInsight will write temporary data to the disk of your computer and retrieve it again while executing certain processes. It’s often called an extension of the RAM memory that will be used, but it is important to realise that PixInsight will use the swap storage even when RAM memory is still available.
Without knowing anything else we can already appreciate the performance improvement you’ll get in PixInsight if you use fast disk drives like SSD or maybe even M2 drives; the faster PixInsight can write and read from the swap file storage, the faster it can execute the processes. The speed involved here is what we call ‘disk I/O’ or disk Input/Output. In some scenarios the processor might actually be waiting for some data to be retrieved from the swap storage. In such a case we are bottlenecked by the I/O speed of the disk. But what if we would have more disks available? In that case we could use parallel I/O operations to optimise the bandwith.
But even if you have only 1 disk available PixInsight will still be able to benefit in some cases from parallel I/O operations to the same disk. You could imagine scenarios where PI can write the output while retrieving some other data from the swap storage. This is especially the case when used with fast disks like SSD.
In order for PixInsight to be able to perform this parallel I/O operations, we simply need to add more swap storage folders like explained above.

RAM disk

Remember I mentioned earlier that PixInsight will use swap storage even if there is still RAM available. If you have enough room left in your RAM capacity you can make a so called ‘RAM disk’. This is a temporary disk you can create by using some of the RAM memory. Please remember that as soon as this disk is ejected or if you reboot or turn off your computer all stored files in this RAM disk will be gone! For swap file storage this is not a problem, but please do not mistake this for a regular disk.
On MacOS you can simply download this handy tool: RAM Disk Creator from Florian Bogner.
On Windows there are multiple programs available to do this, both free and paid software. This article has a benchmark of some of those applications to get you started.
Once you created the RAM disk you can simply access it like any other storage device. In order to enable PixInsight to use the RAM disk as swap storage you can simply add a folder on the RAM disk to the list of swap storage directories under Global Preferences. (as explained at the start of this article)

Using SSD and RAM disk simultaneously as swap file storage

You might be tempted to just use RAM disk as swap file storage because of the speed of a RAM disk versus an SSD device. However, you’ll need to make sure PixInsight will have enough swap storage available or it will start throwing errors. To prevent this you can simply add one folder from your regular storage in addition to the RAM disk. This will both enable parallel I/O operations and makes sure there is enough room for the swap files.

Testing results of parallel swap file storage

I ran the PixInsight benchmark with different swap file storage setups to check the impact of different configurations.
I ran the benchmark 5 times for each scenario and used the average results to determine the improvements compared to the default setup with only 1 entry under swap file storage which is 1 folder on a SSD in my case.
First I compared using different number of entries on the same SSD:

As you can see the actual increase for the Total score of the benchmark is not that great. As expected the CPU score isn’t impacted. However, when we check the improvement for the swap score we get this result:

I was somewhat surprised by the jump in performance when using 8 entries in stead of 6 or 10, but I was able to reproduce this and with 5 measurements per configuration I got a stable result within the same range every time.

No, let’s look what the performance increase is when we add a RAM disk in different configurations.
I have 16GB of RAM available on this system and noticed the total load almost never came above 8GB when running the benchmark. So I created a RAM disk of 8GB. However, the results were pretty bad! Apparently I had to little RAM left for the benchmark and the results were worse than before.
Next try: 6GB. This worked only if I also added a folder on the SSD or else I would run into disk space errors.
The 6GB did show improvement, but not as much as the 4GB did! This was surprising since the system monitor didn’t show loads that high for PixInsight, but apparently it performed better with 12GB RAM still available.
I got the biggest improvement when using 2 folders on the RAM disk of 4GB and 1 folder on the SSD.
See the graphs below for the actual results:

65% increase for the Swap score! That’s quite significance I’d say

So everyone that has a system with 16GB or more should seriously consider using a RAM disk for swap storage to improve the performance of PixInsight.

Free up RAM. (kill Chrome!)

If you are anything like me you probably have a ton of other applications and browser tabs open while working in PixInsight. Some necessary to read some tutorials and check examples, others not so necessary like watching YouTube while waiting for some PixInsight processes to finish. However, it can help your performance greatly if you kill most (unnecessary) programs while working in PixInsight. Especially Chrome is a notorious ‘RAM hogger’, so close it completely for better PixInsight performance!

Chrome uses A LOT of RAM.


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30 Winning Photos Of African Wildlife Photography Awards 2022

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Here are the 30 winning photos of Benjamin Mkapa African Wildlife Photography Awards 2022. This year the grand prize winner is Michelle Kranz of Boulder, Colorado, USA for his photo “Mountain Gorilla” captured in Volcanoes National Park, Rwanda.

African Wildlife Foundation is currently aiding the Rwandan government in a pioneering program to accommodate a vulnerable, but growing, mountain gorilla population. The vision is to enlarge gorilla habitat, boost biodiversity, and improve the tourism experience to benefit the great apes and the people who share their backyard.

Scroll down and inspire yourself. Check their website for more information.

You can find more info about MKAPA Awards:

#1 Grand Prize, Winner: Mountain Gorilla By Michelle Kranz of Boulder, USA

African Wildlife Photography Awards 2022

#2 Coexistence & Conflict, Winner: Masai Giraffe By Jose Fragozo of Addis Ababa, Ethiopia

African Wildlife Photography Awards 2022

#3 African Conservation Heroes, Winner: Caregiver Mary Langees and African Elephant Orphan By Anthony Ochieng Onyango of Nairobi, Kenya

African Wildlife Photography Awards 2022

#4 African Wildlife At Risk, Winner: Chimpanzee and Baby By Marc Quireyns of Antwerp, Belgium

African Wildlife Photography Awards 2022

#5 Fragile Wilderness, Winner: Ostriches | Damaraland By Tomasz Szpila of Bulowice, Poland

African Wildlife Photography Awards 2022

#6 Africa’s Backyard Wildlife, Winner: Karoo Prinia on Gate By William Steel of Kasane, Botswana

African Wildlife Photography Awards 2022

#7 Art In Nature, Winner: Lesser Flamingos By Paul Mckenzie of Hong Kong

African Wildlife Photography Awards 2022

#8 Mobile, Winner: Caracal By Jon Warburton of Zululand, South Africa

African Wildlife Photography Awards 2022

#9 Creative Digital, Winner: White-Bellied Pangolin By Prelena Soma Owen of Hartbeespoort, South Africa

African Wildlife Photography Awards 2022

#10 African Wildlife Behavior: Winner, Dawn, Dust, and Duel By Vijayram Harinathan of Chennai, India

African Wildlife Photography Awards 2022

#11 African Wildlife Portraits, Winner: African Lion By Russ Burden of Parker, Colorado, USA

African Wildlife Photography Awards 2022

#12 Youth In Africa, Winner: African Lioness By Jaime Freeman, at age 15, of Johannesburg, Gauteng, South Africa.

African Wildlife Photography Awards 2022

#13 Youth International, Winner: Bare-faced Go-away-birds By Sadie Hine, at age 18, of Mountain View, California, USA

African Wildlife Photography Awards 2022

#14 African Wildlife At Risk, Highly Honored: Eastern Gorilla Baby By Tomasz Szpila of Bulowice, Poland

African Wildlife Photography Awards 2022

#15 African Wildlife At Risk, Highly Honored: Black-and-white Ruffed Lemur By Xin Zhong of Shanghai, China

African Wildlife Photography Awards 2022

#16 Fragile Wilderness, Highly Honored: Rüppell’s Vulture | Jinbar Waterfall By Marco Gaiotti of Genova, Italy

African Wildlife Photography Awards 2022

#17 Fragile Wilderness, Highly Honored: Gemsbok | Sossusvlei Salt Pan By Thomas Vijayan of Oakville, Ontario, Canada

African Wildlife Photography Awards 2022

#18 Fragile Wilderness, Highly Honored: Stone Coral Reef By Tobias Friedrich of Wiesbaden, Germany

African Wildlife Photography Awards 2022

#19 Art In Nature, Highly Honored: Gemsbok By Craig A. Elson of Los Angeles, California, USA

African Wildlife Photography Awards 2022

#20 Art In Nature, Highly Honored: Giraffes, Zebras, Ostriches, Springbok, and Gemsbok By Rian van Schalkwyk of Windhoek, Namibia

African Wildlife Photography Awards 2022

#21 Creative Digital, Highly Honored: Into the Wild By Elie Wolf of Orlando, Florida, USA

African Wildlife Photography Awards 2022

#22 Creative Digital, Highly Honored: Greater Flamingos By Jing Li of Fujian, China

African Wildlife Photography Awards 2022

#23 African Wildlife Behavior Highly Honored: African Lions By Alankar Chandra of Maasai Mara, Kenya

African Wildlife Photography Awards 2022

#24 African Wildlife Behavior Highly Honored: Cape Starling and African Mantis By Cameron Azad of La Canada, California, USA

African Wildlife Photography Awards 2022

#25 African Wildlife Behavior Highly Honored: Southern Masked-Weaver By Michiel Duvenhage of Bloemfontein, South Africa

African Wildlife Photography Awards 2022

#26 African Wildlife Portraits, Highly Honored: African Savanna Elephant Calf By Andrew Y. Liu of Austin, Texas, USA

African Wildlife Photography Awards 2022

#27 African Wildlife Portraits, Highly Honored: Cheetah Family By Laura Dyer of Cape Town, South Africa and Henley-on-Thames, England, UK

African Wildlife Photography Awards 2022

#28 African Wildlife Portraits, Highly Honored: Serval By Michel C. Zoghzoghi of Beirut, Lebanon

African Wildlife Photography Awards 2022

#29 Youth In Africa, Highly Honored: Common Tern By Ruben Jenkins-Bate, at age 18, Cape Town, South Africa

African Wildlife Photography Awards 2022

#30 Youth International, Highly Honored: Oustlalet’s Chameleon By Lefei Han, at age 15, Shanghai, China

African Wildlife Photography Awards 2022


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Mini-Alaska ~ Autumn Spawning on the White River

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Autumn is coming! The days are getting shorter, there is a crisp snap to the air, and the first rains are blowing in from the Pacific. To celebrate the changing of the seasons, Aubrey and I went out to the White River, east of the Cascades, and paddled the 14 miles of the twists and turns upstream of Lake Wenatchee. The tributaries of Lake Wenatchee are one of five spawning grounds for sockeye salmon in Washington, and now is the time that they are beginning their upstream migrations. Sockeye salmon fry (the baby fish) are unusual compared to other salmon in that they need a lake to mature, before they head out to the ocean (though land-locked populations also exist, called kokanee).

The river was never more than 300 yards or so from the road, and yet, it felt like a real wilderness, almost like being far from civilization in Alaska. In addition to the salmon, we saw bald eagles, river otters, american dippers, and lots of evidence of bears (paw tracks). It’s nice to see a healthy wilderness ecosystem thriving so close to civilization.

A calm moment on the river at the beginning of our float. Photo by Aubrey.

The view from my packraft as Aubrey comes around the river bend in her kayak.

Autumn Color, Leaves, Washington

Autumn colors slowly take hold of these maple leaves along the White River in Washington’s Cascades.

Sockeye Salmon, Spawning, White River

Aubrey paddles down the White River, past a group of spawning Sockeye Salmon. 

Male and female Sockeye Salmon (male is the one closer to the top of the frame).

Sockeye salmon swim through the shallows to calmer water upstream.

Our camp, on a gravel bar in the middle of the river.

Some unexpected rains materialized in the evening, just as we poured ourselves a manhattan. No problem… boat-umbrella to the rescue!

Tags: cascades, packrafting, paddling, white river

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