How to take great photos on a smartphone: Travel photography tips

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Scott Howes shares his top tips for taking photographs on a phone while travelling. Photo / Scott Howes

Whether you’re spending the summer in Europe or embracing a South Island ski season, capturing photographs is the ultimate way to create memories and share your travels with loved ones.

Thanks to the ever-improving quality of smartphone cameras, you don’t have to spend thousands on a DSLR camera to take stunningly detailed photos and high-definition videos.

However, there are a few tips and tricks to know if you want your travel snaps to stand out. Herald Travel asks talented photographer and content creator Scott Howes to share his five biggest tips for nailing ‘the shot’ on a smartphone camera.

Hailing from London, Scott Howes has lived and worked as a commercial photographer in New Zealand for several years. Photo / Scott Howes
Hailing from London, Scott Howes has lived and worked as a commercial photographer in New Zealand for several years. Photo / Scott Howes

1. Use grids and guides

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I would always recommend people turn on the grids and guides and level on their camera phone, it’s game-changing.

Most phones have the option to add a grid, which basically puts two lines down the middle and two lines across your screen. This helps you follow a popular rule in photography called the ‘rule of thirds’.

I use the grids feature every day on my phone and on my actual cameras and it means you can line up the subject or the frame that you’re trying to shoot, and place them in one of the ‘thirds’, which makes it more aesthetically pleasing.

Most smartphones also have a level in them, to save you from taking wonky photos and videos.

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2. Take time and take it right

Travel can be crazy and super fast-paced and it’s easy to get excited and just snap away. It’s only when you get home to edit or review the photos you may realise you’re not happy with them.

So, despite having taken photos professionally for years, I still often take a step back and pause before taking the shot, because if you get it right ‘in camera’ it saves you so much work editing later on.

Howes recently travelled around Japan and took many photographs on an Oppo phone. Photo / Scott Howes
Howes recently travelled around Japan and took many photographs on an Oppo phone. Photo / Scott Howes

3. Think differently

I think one of the keys of photography is not to just point and shoot. Maybe research your destination beforehand and find unique places to photograph or a way to capture a popular spot differently. For instance, everyone who goes to Roys Peak takes that same standard shot looking down the viewpoint but there are endless possibilities for different photos; it just takes some time to find them.

4. Don’t forget the light

The time of day is key because the lighting is what makes a photo. For me personally, sunrise and sunset are the best times of day to shoot. The sun isn’t as high in the sky so you don’t get harsh light, it’s softer and creates nicer shadows too.

I’ll admit, getting up at 4am for a sunrise shot isn’t for everybody, some people go on holiday just to chill. Either way, lighting is worth thinking about when you take a photo and going a little earlier or later in the day can help you miss crowds at popular attractions.

Howes said Chureito Pagoda, in Fujiyoshida, was an iconic 'tourist shot' many people take while visiting. Photo / Scott Howes
Howes said Chureito Pagoda, in Fujiyoshida, was an iconic ‘tourist shot’ many people take while visiting. Photo / Scott Howes

5. Try shooting in Raw

Usually, you can let the smartphone choose the camera settings for you. But if you want to take your photos a step further, you can shoot in RAW if your phone camera has a ‘pro mode’. This is how we shoot on a DSLR camera and the image is minimally processed, which gives you more freedom when editing your photos in an app like Lightroom.

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BE IN TO WIN!

Thanks to OPPO, we have one Find N2 Flip smartphone to give away, valued at $1679.

The OPPO Find N2 Flip is full of great features, including an invisible crease, large front screen, 50MP Hasselblad camera setup, fast charge, long-lasting battery, and cool designs.

To enter, go to nzherald.co.nz/win and fill in your details.

The competition closes at 11.59pm on Monday August 7. Terms and conditions apply.

Be in to win an OPPO Find N2 Flip smartphone with Herald Travel. Photo / Supplied
Be in to win an OPPO Find N2 Flip smartphone with Herald Travel. Photo / Supplied

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Smartphone Photography Shootout: Samsung And Apple Head-To-Head

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Through the pandemic, I became passionate about photography. Although I’ve technically been doing “professional” product photography for articles featured on-line and in print for a couple of decades, it was only in the last few years that I stepped up my game. As much as I love my pro camera gear though, it’s not something you can carry around perpetually. As the old saying goes, “the best camera is the one that’s with you”, and like most of you, my smartphone camera is the one that’s almost always within reach. So, when presented with the opportunity to test a couple of the top smartphones for photography, I jumped at the chance.

The smartphones I’m referencing are the Samsung Galaxy S23 Ultra and the Apple iPhone 14 Pro Max. Both of these devices might be the current flagships for their respective manufacturers, but they couldn’t be any more different in terms of their rear “world facing” camera configurations (both cameras feature 12MP selfie cameras). The iPhone 14 Pro Max features a 48MP main camera, with a 24mm 7-element lens (ƒ/1.78 aperture), with sensor-shift optical image stabilization. That main camera is flanked by a 12MP Ultra Wide shooter, with a 13mm 6-element lens (ƒ/2.2 aperture) and a 120° field of view, and a 12MP Telephoto shooter, with a 77mm 6-element lens (ƒ/2.8 aperture), with 3x optical zoom (digital zoom up to 15x) and optical image stabilization.

The Samsung Galaxy S23 Ultra features a bleeding-edge 200MP main camera with a 24mm lens (ƒ/1.7 aperture) and optical image stabilization. Adjacent to the main camera, there’s also a 10 MP “periscope telephoto” shooter (ƒ/4.9 aperture), with OIS and 10x optical zoom, a 10 MP telephoto camera with a 70mm lens (ƒ/2.4 aperture), OIS and 3x optical zoom, and a 12 MP ultra-wide camera, with a 13mm lens (ƒ/2.2 aperture), 120˚ field of view, and Dual Pixel PDAF. The ultra-wide shooters on both the Galaxy S23 Ultra and iPhone 14 Pro Max also do double-duty as Macro shooters.

Those main camera specifications need some additional clarification, however. While many of today’s high-end smartphones boast ultra-high megapixel ratings, they also do something called “pixel-binning”. Pixel binning uses multiple pixels on the sensor to gather data that’s grouped, or “binned”, together to effectively act a single pixel of a certain color. For example, the iPhone’s 48MP main camera actually outputs 12MP images by default, because it is using quad-pixel binning. Users must shoot in RAW, which requires additional processing, to capture a 48MP image. The Galaxy S23 Ultra does the same thing; 200MP image captures are possible, but typical captures are 48MP. Pixel binning is one way to counter-balance the more limited light-gathering capabilities of the small pixels on densely-packed smartphone camera sensors. It results in more accurate color captures and less noise, but creates images that are only 25% of the maximum resolution of the sensor, when using quad-binning at least.

High-End Smartphone Camera Systems Require Massive Processing Power

Smartphones designed with high-quality photography in mind usually use complex image processing techniques, high-quality optics, and a multitude of computational photography technologies to capture and intelligently process as much image data as possible. As such, today’s smartphones require powerful image processors to not only produce high-quality images, but offer a good user experience.

The iPhone 14 Pro Max is powered by Apple’s own A16 Bionic chipset, which features a 16-Core Neural Engine capable of 17 TOPS and an advanced Image Signal Processor (ISP). The Samsung Galaxy S23 Ultra is powered by the flagship Snapdragon 8 Gen 2 Mobile Platform that features Qualcomm Technologies, Inc.’s first ever Cognitive ISP.

Sensor sizes and megapixel counts may be key differentiators that play a significant role in a smartphone camera system’s quality, but they are less relevant than most people think. Smartphones simply do not have the physical space to accommodate large camera sensors and a sensor’s pixel density can only be so high before image quality is negatively impacted, particularly in challenging lighting conditions. Although there are other things to consider, in general, smaller pixels on a camera sensor gather less light than larger pixels (all other things being equal), which can degrade image quality in sub-optimal lighting. Because of this, a smartphone image processing capabilities are immensely important.

There’s isn’t much data available on Apple’s proprietary ISP. The company consistently enhances the capability of its “Axx” mobile processors with each generation, but specifics are scarce. Qualcomm has also enhanced its Snapdragon platforms over the years with leading image processing and computational photography features. Although Qualcomm’s partners, like Samsung, don’t typically enable every possible photography or videography-related feature available in the latest Snapdragon mobile platforms, those that place a strong emphasis on photography often produce devices capable of capturing excellent photos and videos. In fact, according to DxOMark, many of the best smartphone cameras are powered by Snapdragon.

The Spectra Image Signal Processor featured in the Snapdragon 8 Gen 2 has triple Cognitive ISPs, capable of processing 3.2 gigapixels per second. The trio of Cognitive ISPs gives devices like the Galaxy S23 Ultra the ability to leverage up to three independent cameras simultaneously and enables features like triple simultaneous image capture, seamless zooming between cameras, multi-capture HDR composites, and up to 200 Megapixel photo capture, among other things. The first of its kind Cognitive ISP in the Snapdragon 8 Gen 2, in conjunction with the chip’s Hexagon AI engine, also enables something called real-time “Semantic Segmentation”, which is enabled on the Galaxy S23’s selfie camera.

Semantic Segmentation leverages a neural network that was trained to identify many different objects, like people, faces, skies, grass, etc., and each of those objects can be segmented, and custom processing applied to them to enhance a captured image or video. If you’re familiar with image processing applications, you can think of the segments as layers, and each layer can be edited independently to produce a desired effect – bluer skies, smoother skin, greener grass – you get the idea. And since the segments can be altered independently, each segment can be properly exposed, saturated, or sharpened, without diminishing the quality of the other segments. As software support for Semantic Segmentation matures, it has the potential to be a real game changer.

Both the iPhone 14 Pro Max and the Galaxy S23 Ultra use an array of computational photography techniques to produce images. Common computational photography features, like Night Mode, Portrait Mode, and HDR are available on both platforms. The Galaxy S23 Ultra also offers a feature called AI Zoom. AI Zoom is an experiential feature that gives users the ability to seamlessly zoom from the widest angle all the way to 100x zoom, spanning three different cameras, by simply pinching and zooming or using an on-screen slider. There’s no need to manually switch between the ultra-wide, standard, or telephoto camera, or to figure out which one is best to compose a particular shot.

The Mobile Photography Experience

Although I’m focusing on photography here, I should also note that both the iPhone 14 Pro Max and the Galaxy S23 Ultra are high-performance devices, which offer quality user experiences in general. Both of the phones are fast, and have myriad of photo and video-related features. Specifically as it related to photos and videos, autofocus is quick and accurate on both devices, they capture realistic tones and textures, and noise performance is also very good. For general photography, I think anyone coming from a previous-gen device is likely to be quite pleased. But there are some major advantages to the Qualcomm-powered Samsung Galaxy S23 Ultra worth pointing out.

The Galaxy S23 Ultra’s camera application features a number of customizations required to give users access to some of the device’s special photo features, like Hyperlapse, Single Take, and Expert Raw, to name but a few. Users of any skill level, however, should be able to navigate its menu system and manipulate camera settings or quickly switch between modes. Although there are many options available to tune image quality to a user’s liking, auto-mode takes phenomenal shots. The Galaxy S23 Ultra is capable of capturing excellent detail; perhaps one small criticism is that it can sometimes oversaturate images and perform a bit too much sharpening.

Without the right processing, handling wide dynamic range lighting situations can be challenging for the relatively small sensors in a smartphone, but even with strong backlighting with the sun shining brightly, the both the iPhone 14 Pro Max’s and Galaxy S23 Ultra’s cameras performed well. Colors and tones of the scene are well balanced, with crisp detail, when normally some objects would be silhouetted on lesser cameras that can’t handle this kind of lighting. That said, the Galaxy S23 Ultra better handled the exposure and was able to retain more blue in the sky.

The higher resolution 200MP sensor in the Galaxy S23 Ultra also captures more detail. When scaled and posted to social media, with minimal editing, the differences may be very difficult to suss out. But the massive resolution offered by the Galaxy S23 Ultra gives users much more flexibility to crop without sacrificing as much detail in the final image. These zoomed crops of the images captured on both phones shows just how much additional resolution is available on the Samsung device.

A 200MP capture on the Galaxy S23 Ultra is 16320×12240 pixels. A 48MP capture on the iPhone 14 Pro Max is 8064×6048 pixels. You could crop 50% from each dimension on the Galaxy S23 Ultra and still have a similar number of pixels to work with versus the full resolution on the iPhone.

Both phones handled Portrait mode well, though they offer different fields of view in this mode. The simulated blurred background bokeh is smooth, on both with surprisingly realistic looking transitions from in-focus to out-of-focus areas. Portrait Mode can often introduce unwanted artifacts in the fine details around a subject’s edges, but both phones do a pretty good job here. The Galaxy S23 Ultra does a slightly better job though, with smoother transition, and more detail in the subject.

The Galaxy S23 Ultra also stands out with close-up Macro photography. Even when its ultra-wide camera is nearly touching the subject, it is able to focus properly and capture fine detail.

The iPhone 14 Pro Max does a great job too if you don’t pixel peep, but zooming in shows more fine detail in the Samsung capture – you can actually make out individual bits of pollen, whereas on the iPhone the processing makes the internal part of the flower look like it has a rough, bumpy texture.

In terms of video recording, both devices are relatively full featured, but the edge yet again goes to the Galaxy S23 Ultra. The iPhone 14 Pro Max tops out of 4K60 recording, while the Galaxy 23 Ultra can do 8K30 recording. Slow motion, normal, and time lapse recording are available on both devices as well. In practice I found the video quality on both devices to be quite good, though the Galaxy 23 Ultra seemed to handle sub-optimal, low-light conditions somewhat better.

Top camera performance continues to be paramount for flagship smartphone buyers, but whether evaluating specification or real-world results, it’s clear Qualcomm-powered Android devices like the Samsung Galaxy S23 Ultra are a step ahead of the competition. Independent bodies like DxOMark show most of the top smartphone cameras are backed by Qualcomm processors.

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Universal Beijing Resort bans freelance photography services inside park

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People visit Universal Beijing Resort in Beijing on Dec 20, 2022. [Photo/IC]

Universal Beijing Resort is banning and denying the access of unauthorized professional photographers who offer tourists at the resort photo-shoot service.

Recently, several freelance photographers who offer services to tourists inside Beijing Universal park posted on Xiaohongshu, an Instagram-like app, that the park is removing the private photo-shoot service offered by professional photographers inside park.

“Starting from April 2, Universal park is taking action to prevent photographers from offering photo-shoot services inside the park, especially in the area of the Wizarding World of Harry Potter. And the specific action to prevent photo-shoot services is still unknown,” a photographer nicknamed She Ying Shi Xiao Yue posted on Xiaohongshu.

Many expressed their support over the park’s decision. “It is an amusement park, not a photo-shoot studio,” commented a Xiaohongshu user nicknamed Mu Zi De Li.

Some shared their visiting experience in the park saying that it seemed some visitors and their photographers were growing roots in some scenic spots inside the park, which affected their visiting experience and caused chaos, especially during peak hours.

“To be honest, it was very disturbing to see visitors posing in front of their photographers in the park, especially in the Wizarding World of Harry Potter, whose passage is rather narrow and their posing activities just blocked other visitors,” a netizen Xiao Tai commented.

Some were against such ban, claiming that photo-shoot services were convenient to some tourists, especially when they were not good at taking photos.

“It was convenient to hire a photographer inside the park,” said a netizen Yi Zhi Chong Tian Tu Zi.

“I usually started at 10 am and worked for 6 or 7 hours at most a day. The price varies and the standard package is 200 yuan ($29) per hour, which is about over 30,000 yuan a month,” a freelance photographer told the China News Service, adding that reservations for the next week were full. Photographers like him usually have bought the park’s annual pass to enter the park everyday.

However, the ban caught freelance photographers like him unprepared. Several photographers posted online that they were barred from taking photos as they were familiar faces to workers of the park.

The ban was for the copyright and, most importantly, to protect the interests of visitors, especially with the peak season soon arriving and many visitors having already complained online about the photo-shoot services disturbing regular visiting and the photography of regular visitors, a worker from the park told Beijing Youth Daily.

When asked why freelance photo-shoot services were banned, a customer service representative with Universal Beijing Resort told the China News Service that photo-shoot services offered by freelancers have always been forbidden inside the park.

According to the park rules: photography, videotaping, audio recording or live streaming of any kind are strictly prohibited, except for personal and non-commercial purposes.

Visitors can take photos either with their cameras or phones, the customer service representative added.

As for the photography needs of some visitors, the park offers authorized photography services that cost 388 yuan, which takes photos for customers in various hot spots throughout the park.

However, when asked how to distinguish a freelance photographer from a tourist, the customer service representative was not clear about the criteria.

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Sharing China 2023 contest calls for photography and video entries

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Sharing China photo and short video contest 2023 is calling for submissions from all over the world until Feb 12, 2023.

Regardless of whether you are a professional or an amateur, who you are or where you are from, you are welcome to send us photos and videos of memorable moments from Chinese New Year celebrations.

Chinese New Year, or Spring Festival, is the most important traditional festival for Chinese people. Grand celebrations take place all over the world during the festive days, with traditions passed down over centuries, such as family reunions, New Year fireworks, temple fairs and performances, as well as enjoying dumplings and local delicacy feasts.

To learn more and submit your entries:
http://en.chinaculture.org/special_reports/sharingchina2023/

 

What we are looking for

All photos and videos of Chinese New Year celebrations are welcome. Suggested themes include:

(1) Traditional customs, such as paying respects to ancestors, cleaning the house and New Year’s Eve dinner.

(2) Modern customs and new trends, such as the Spring Festival travel rush, giving out or receiving mobile red envelopes, or traveling.

(3) Folk activities, such as dragon dances, lion dances, yangko dances, folk theatrical art or local folk customs.

(4) Foreigners experiencing the Spring Festival, celebrations around the world or anything that reflects the integration of the festival and local life.

 

Awards and Prizes

The contest will select 50 photos (single or group).

★ First prize: 5 photos (single or group), with 2,000 RMB in prize money for each winner

★ Second prize: 15 photos (single or group), with 1,000 RMB in prize money for each winner

★ Third prize: 30 photos (single or group), with 600 RMB in prize

 

We will also select 10 short films.

★ First prize: One winner, RMB 5,000 prize

★ Second prize: Three winners, RMB 3,000 prize for each

★ Third prize: Six winners, RMB 2,500 prize for each

The organizer will deduct any tax on the award money and pay the authorities on behalf of the winners.

 

When

Submission: from Dec 20, 2022 to Feb 12, 2023

Selection and ranking: from Feb 13 to May 15, 2023

Result announcement: June, 2023

 

The rules

Photo contest:

1. All entries must be real and not doctored or photo edited. The tone and color of the image may be slightly adjusted. Composition and clipping are allowed.

2. Entries should be in JPG or JPEG format with a resolution of 300 dpi, no less than 2 MB for each, with the length no less than 3,000 pixels. If submitting to Facebook, photos could be compressed, but please keep the original file. If the photo is shortlisted and published on the page, the original file will be required.

3. Entries can be single photos or a series of photos. A series of photos counts as one entry and each series may contain four to ten photos.

4. Entries should have titles and a short photo description (such as time, place and people in the photo).

 

Short film contest:

Format: MP4 or MOV

Dimension: horizontal: 16:9, vertical: 9:16

Resolution: no less than 1920 × 1080 pixels

Size: 1GB maximum, less than 4 minutes

Dubbing and subtitles: If the video is dubbed, the language could be either Mandarin or English, but subtitles should be bilingual

Caption: 200-500 English or Chinese words to give a brief introduction

 

Interact with us on Facebook

You can submit your entries to China Culture’s Facebook, see others’ works and interact with us. (Event page: https://www.facebook.com/events/625672159319783/)

China Culture’s Facebook:
https://www.facebook.com/chinacultureorg

Scan the QR code below to follow China Culture’s Facebook page, and always stay updated on the latest Chinese culture news, events and information.

Host and organizers

Host: China International Culture Association

Organizers: Chinadaily.com.cn, Chinaculture.org

Supported by China Photographers Association and Sina Photo

 

Statement

1. The entries should not contain any pornography, violence or reactionary elements and should obey the laws and regulations of the People’s Republic of China.

2. The author owns the copyright and enjoys the right of authorship of the entries. Once the entries are submitted to the contest, it means that the author has agreed that the Bureau of International Exchange and Cooperation of the Ministry of Culture and Tourism of the People’s Republic of China has the right to use his/her works for non-commercial purpose, and has the right to authorize any third party to use his/her works for non-commercial purpose, in cultural activities or cultural products, including but not limited to exhibitions, screenings, publications, posters and photo album designs, and promotional videos. The host also has the right to recommend the works to related media and will not pay the author for use.

3. All participants should guarantee their ownership of copyright for the entries, or that they have the right to authorize the entries’ use in competitions, promotions and screenings. The author(s) should promise that all legal responsibilities and economic losses shall be borne by himself (themselves), including but not limited to results of the products’ infringement of intellectual property, portrait rights and reputation rights, defamation, rights of privacy and other violations of laws and regulations.

4. All applicants should ensure the authenticity and accuracy of the filed content in the application form. The organizing committee will not be responsible for any errors or misunderstandings caused by incorrect, incomplete or inauthentic filings.

5. The host reserves the right to disqualify any entry that is deemed inappropriate or does not conform to stated contest rules.

6. The organizers will contact the winners via email by June 15, 2023. The winners shall reply to the email with their personal information and bank details within fourteen (14) days, so as to enable Chinadaily.com.cn to deliver the prize to the winners. If the participant refuses to provide personal and bank information, or does not provide the requested information within the stipulated time, the winner will be disqualified.

7. By submitting an entry to take part in the contest, the participant agrees to accept these rules.

8. The host has the right of final interpretation of these terms and conditions. The host reserves the right to revise these terms and conditions at any time. Disputes arising from this event shall be settled in accordance with the relevant laws of the People’s Republic of China.

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